Patrick Fruehling

Recording, Mixing, Drums

starstarstarstarstar
3 Reviews
Patrick Fruehling on SoundBetter

For 7 years at NYC’s Engine Room Audio, I’ve helped artists craft industry-standard records in a professional yet creatively safe environment. I specialize in creating a space for both rising talent and major artists can push boundaries without pressure. That balance of top-tier quality and authentic artist development is what sets my work apart.

I’m a professional audio engineer with 7 years in the game, including 4 years as the lead engineer and core instructor at Engine Room Audio, a top-tier studio in NYC. I’ve worked on a ton of records across hip hop, rock, and pop—recording and developing projects with both major-label artists and up-and-coming talent.

Before engineering, I came up as a drummer—I’ve been playing for over 25 years—so I bring a musician’s ear to everything I do. I love working with live instruments and full bands, especially in the rock world (definitely my favorite genre). Capturing that raw energy and helping artists shape their sound is what I’m all about.

Whether it's tracking live sessions, building out full albums, or just making sure a mix hits the way it should, I’m here to bring the best out of the music and the artist behind it.

Send me an email through 'Contact' button above and I'll get back to you asap.

Languages

  • English

3 Reviews

Endorse Patrick Fruehling
  1. Review by Lauren T.
    starstarstarstarstar

    Pat is a super talented engineer & producer. I came to him after discovering I wanted to make a commercial-standard pop record, and he made a professional, intimidating, penthouse studio in NYC feel like I’m singing in my living room. Pat is so professional but so kind, you know you can trust that he knows what he’s doing, but he also is so good about making your thoughts and preferences known, & makes sure to turn your ideas into not just reality, but the most high quality version of what you had in your mind. Creating a record can be a scary process, but I’m grateful I got to do it with Pat!

  2. Review by Lauren T.
    starstarstarstarstar

    Pat is a super talented engineer & producer. I came to him after discovering I wanted to make a commercial-standard pop record, and he made a professional, intimidating, penthouse studio in NYC feel like I’m singing in my living room. Pat is so professional but so kind, you know you can trust that he knows what he’s doing, but he also is so good about making your thoughts and preferences known, & makes sure to turn your ideas into not just reality, but the most high quality version of what you had in your mind. Creating a record can be a scary process, but I’m grateful I got to do it with Pat!

  3. Review by Lauren T.
    starstarstarstarstar

    Pat is a super talented engineer & producer. I came to him after discovering I wanted to make a commercial-standard pop record, and he made a professional, intimidating, penthouse studio in NYC feel like I’m singing in my living room. Pat is so professional but so kind, you know you can trust that he knows what he’s doing, but he also is so good about making your thoughts and preferences known, & makes sure to turn your ideas into not just reality, but the most high quality version of what you had in your mind. Creating a record can be a scary process, but I’m grateful I got to do it with Pat!

loading
play_arrowpause
skip_previous
skip_next
The Spoils by Janeen

I was the Mixing, Tracking Engineer, Producer, Drummer in this production

Terms Of Service

For mixing: First three revisions are free, 2-3 day turn-around time, access to professional recording studio, 20% charge on top of studio fee

GenresSounds Like
  • Taylor Swift
  • blink-182
  • Kendrick Lamar
Gear Highlights
  • Dangerous 2-Bus-XT
  • Mutec MC-3
  • UA 6176
  • dbx 160xt
  • Audiscape Bus Comp
  • GA COMP 2A
  • HA-73 EQ
  • WA87
  • SM7B
  • AKG 451b
  • behringer x-air
  • Genelec 2030c
  • Yamaha NS-10
More Photos
More SamplesRecording, Mixing Engineer
SoundBetter Deal

Take $100 off for your first mix