Composer & Orchestrator

Q: What's your 'promise' to your clients?

A: I promise to deliver high-quality, emotionally powerful orchestral music that reflects each client’s vision. I’m dedicated to clear communication, timely delivery, and working closely to exceed expectations.

Q: What do you like most about your job?

A: What I love most about my job is the ability to bring stories and emotions to life through music. Crafting epic, cinematic soundscapes that move people and elevate visual projects gives me immense satisfaction and motivation.

Q: What questions do customers most commonly ask you? What's your answer?

A: Customers often ask about my workflow, how I incorporate orchestral elements into their existing music, and turnaround times. I explain that I focus on clear communication and flexibility to ensure the final product matches their vision, and I provide realistic timelines upfront.

Q: What's the biggest misconception about what you do?

A: One of the biggest misconceptions is that composing orchestral music is just about writing pretty melodies. In reality, it involves deep knowledge of instrumentation, harmony, texture, and emotional pacing to create a cohesive and impactful musical experience.

Q: What questions do you ask prospective clients?

A: I usually ask about the overall mood and story behind the project, any specific musical references or styles they prefer, the intended audience, and deadlines. Understanding these helps me tailor the composition or orchestration to perfectly fit their vision and timeline.

Q: What advice do you have for a customer looking to hire a provider like you?

A: When hiring a composer or orchestrator, it’s important to clearly communicate your vision and provide references or examples of the mood you want. Collaboration and openness to feedback are key to achieving the best results that truly match your project’s needs.

Q: How would you describe your style?

A: My style is epic, atmospheric, and cinematic orchestral music with a strong emphasis on emotional storytelling. I blend classical composition techniques with modern production to create powerful, immersive soundscapes that elevate any project.

Q: Which artist would you like to work with and why?

A: I would love to work with composers like Hans Zimmer or Bear McCreary because of their incredible ability to blend orchestral and modern elements into emotionally powerful scores. Collaborating with artists who push the boundaries of cinematic music would inspire me to grow and create even more impactful compositions.

Q: Can you share one music production tip?

A: A key tip I always follow is to focus on space and dynamics in the mix. Leaving room for each instrument and carefully shaping the volume and expression helps create a clear, powerful, and emotional sound that truly connects with the listener.

Q: What type of music do you usually work on?

A: I usually work on epic, cinematic orchestral music for films, trailers, and media projects. Additionally, I often arrange and orchestrate metal and rock music to enhance their emotional and dramatic impact with rich orchestral layers.

Q: What's your strongest skill?

A: My strongest skill is orchestration — transforming musical ideas into rich, cinematic arrangements that enhance emotion and storytelling. I have a deep understanding of harmony, texture, and dramatic pacing, which allows me to build powerful soundscapes that serve the vision of each project.

Q: What do you bring to a song?

A: I bring cinematic intensity and emotional storytelling through rich orchestration and harmonic depth. My background in classical composition and polyphonic writing allows me to add structure, movement, and musical clarity to a song. Whether I’m scoring from scratch or enhancing existing material, I aim to elevate the music’s dramatic arc and give it an epic, immersive atmosphere.

Q: What other musicians or music production professionals inspire you?

A: I’m deeply inspired by great cinematic composers like John Williams and Hans Zimmer — their orchestral storytelling shaped my artistic vision. I also draw from the classical tradition, with influences from polyphonic textures and rich harmonic writing found in composers like Bach and Rachmaninoff. On the modern side, I admire the work of Bear McCreary and Howard Shore. Additionally, I’m influenced by symphonic metal bands such as Septicflesh and Fleshgod Apocalypse, who masterfully blend the epic power of orchestration with the raw energy of metal.

Q: Describe the most common type of work you do for your clients.

A: I compose epic, cinematic orchestral music for film, trailers, and media, and often provide full orchestration for metal or rock productions. I help artists and creators elevate their music with powerful arrangements and emotional depth.