Music Producer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I’m especially proud of Scrambled Eggs Vol III, a collaborative project that brought together a huge range of artists in one record. I managed production, engineering, and mixing across the sessions — and seeing it come to life was a career highlight.

Q: What are you working on at the moment?

A: Currently finishing mixes for an upcoming indie-rock EP, producing a jazz-fusion project, and recording live video sessions at Meridian with a range of emerging artists.

Q: Analog or digital and why?

A: Both. Analogue gear brings warmth and unpredictability that digital can’t replicate, while digital gives precision and flexibility. The best results usually come from blending the two.

Q: What's your 'promise' to your clients?

A: I promise to respect your vision while pushing your sound to its fullest potential. No project is too small, no mix too big — every track gets my full attention.

Q: What do you like most about your job?

A: The moment an artist hears their track come alive in the studio — when their vision suddenly feels real and larger than life. That reaction never gets old.

Q: What questions do customers most commonly ask you? What's your answer?

A: Q: How long will mixing take? A: It depends on the number of stems and complexity, but typically 2–5 days per song including revisions. I’d rather take the time to get it right than rush.

Q: What's the biggest misconception about what you do?

A: That mixing or production is just about “making things louder or cleaner.” In reality, it’s about storytelling through sound — guiding emotion, dynamics, and energy so the listener feels something.

Q: What questions do you ask prospective clients?

A: • What’s your end goal for this project (single, EP, live session, etc.)? • Do you want me to just capture your sound, or help shape and push it further? • What artists inspire you?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for someone who not only has the technical chops but also understands your vision. The best producer/engineer is one who makes you feel comfortable, inspired, and confident in the process.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: • Neumann U87 • API 3124 preamp • A solid MacBook with Pro Tools • Universal Audio Apollo interface • Fender Rhodes (because inspiration matters too)

Q: What was your career path? How long have you been doing this?

A: I studied Music at Durham University, trained at Abbey Road Institute, and cut my teeth in both theatre composition and commercial production. I managed and engineered at Climax Recording Studio before evolving it into Meridian Sound Studios. I’ve been producing, engineering, and mixing professionally for around 7 years.

Q: How would you describe your style?

A: Modern but rooted in tradition. I love the warmth and honesty of analogue recordings, but I balance that with digital precision and forward-thinking sound design.

Q: Which artist would you like to work with and why?

A: I’d love to work with James Blake — his combination of electronic production, raw vocal performances, and experimental mixing is exactly the kind of world I thrive in.

Q: Can you share one music production tip?

A: Don’t fix everything at the mix stage. Get the source right — performance, mic placement, tone — and you’ll save yourself hours later.

Q: What type of music do you usually work on?

A: I work across genres, but I’m most often brought in for jazz, indie/alt, hip-hop, and electronic-influenced projects. I enjoy the challenge of moving between live, organic sessions and more production-heavy, experimental tracks.

Q: What's your strongest skill?

A: High-stem mixing and the ability to handle complex projects while keeping them musical. I’m also very strong at bridging genres — helping artists take influences from different worlds and turn them into a cohesive, exciting sound.

Q: What do you bring to a song?

A: I bring clarity, depth, and focus. Whether it’s through arrangement tweaks, sonic layering, or a polished mix, I help the song reach its full emotional potential. My goal is always to enhance the artist’s voice rather than overshadow it.

Q: What's your typical work process?

A: I start by listening to the artist — their influences, goals, and vision. From there, I shape the session plan: whether that’s live tracking, layering, or a more experimental workflow. During mixing, I focus on clarity and impact while keeping the character of the performance intact. Communication is key — I check in regularly to make sure the project is evolving in the right direction.

Q: Tell us about your studio setup.

A: Meridian Sound Studios is a professional hybrid space — a balance of analogue warmth and digital precision. We’ve got a wide range of microphones, preamps, and outboard gear paired with a modern DAW workflow (Pro Tools, Logic, Ableton). It’s a comfortable, creative environment where artists feel at home but also have access to world-class sound.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by producers like Rick Rubin for his simplicity and artist-first approach, Nigel Godrich for his textural and atmospheric work, and engineers like Manny Marroquin for his versatility and balance. I also draw a lot of inspiration from contemporary UK jazz and alternative scenes.

Q: Describe the most common type of work you do for your clients.

A: I work across full productions — from capturing live sessions in the studio, to mixing and shaping records with a modern, polished sound. Many of my clients come to me for high-stem mixing and hybrid projects where we blend classic recording techniques with cutting-edge production.