Mixing & Mastering Engineers, Producers & Songwriters who worked with beheading of a king

mixing & mastering - Mat Laperle / Red dusk studio

I am a Metal / Hardcore / Punk engineer based near Montreal, Canada. I've been producing/recording/mixing/mastering bands since 2007. [Credits include: Arise Horror, Beheading of a king, Obliterate, Blind Witness, Depths of Hatred, Disfigured Elegance]

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Don't underestimate pro mixing - Mixing-online.co.uk
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Pro POP/HIPHOP/EDM mixing. You have an amazing production and vocal! I have the Skill-Set, Pro Studio, and Gear to deliver that commercial Major Label Sound. 15 years experience, credits include Greg Lawson (JLo) and the Bullets production team who I'm currently mixing for.

singer, guitarist, song writer - Ulrike Stollenwerk
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I'm a versatile singer and like to sing in many genres. I have vocal training and studied Jazz improvisation and harmony.

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Composer, Orchestrator - Woodmere Music Services

I provide MIDI Mockups for game and film composers; Compositions for game and movie producers; Orchestration for composers.

Audio Mixing, Music Production - Clarence "DJ Carl" Mays

I am a music composer and mixing engineer from Ohio. I have worked with a variety of artists from Hip-Hop, Indie, R&B, and gospel. I have been in the field of sound engineering for 10+ years, and musical composition for 7+ years. These are my passions and this is what I do full time. Feel free to check out my website @ www.carlthedj.com!

Session Guitarrist, Mixing - Juanita Garavito
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Im a professional guitarist and music producer from EMMAT a Berklee Global Partner. I'm also a songwriter, and I work at my own home studio (focused on guitar capture), where I can mix and edit anything that you require. It would be a pleasure to work for you.

music, drumming, sounds        - Alessandro Guerri
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expressive personality on music and sounds i make

Certified Mastering Engineer - Bostjan Kosir
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The technical side of sound production and reproduction fascinates me, but I listen to music emotionally first, only later technically. Listening to the song, I feel the emotions that the song communicates and then I emphasize and transfer them with technical processing to the final master.

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