Mixing & Mastering Engineers, Producers & Songwriters who worked with Chill Nation

Clients released on DeadBeats, Trap Nation, DIM MAK, Lowly, Circus, UKF, House Call Records, Sable Valley, Dharma & many more.

Alexander Wakim has had releases on world renowned labels such as Bred n’ Butter (Trap City), Bourne Records and Elysian records generating tracks with millions of views on YouTube / SoundCloud / Spotify. He has been featured on 3FM (Dutch National TV/Radio), warmed up for mega-acts such as Frontliner and headlined many live shows.

My music got featured in the most famous Lofi Girl stream on youtube and spotify. Millions of Streams. Unlimited Revisions. I mix & master every genre. Only 5 star reviews. I’ve got a Master's degree in engineering. Spotify "Fresh Finds" and other International Playlists. Worked with legendary engineer Tony Maserati.

Pop & EDM producer Formerly known as Anzbern & Msmrise & some others .I I have released & ghost produced music for Trap Nation,Monstercat,Seeking Blue,Lowly,Proximity,Ophelia Records,ArmadaMusic,NCS,Future Generation,Selected,7Clouds & many more. Official Remixes for William Black,Nurko,Codeko

Clients released on NCS, Trap Nation, MrSuicideSheep , Lowly, UKF, Bass Nation, Monstercat &many more.

I sample stuff on the internet, make beats for clients and have a spotify channel. Currently, I am producing beats for Chill Nation (Lost Fiction) and Chill beats Music.

I'm a producer/vocalist with over 6 years experience in the industry. I have worked with artists such as Armin van buuren, J Fla, Solstis, ARMNHMR, Pluko, and many others!

Original and fresh sound. I do absolutely any music - beats, electronic music, pop music, music for films and cartoons. For me, the main thing is to find an approach to people and to discover the potential in them. Each order is individual and will be done in the best possible way. Fast, high-quality and modern.

My goal is to deliver an exceptional piece of music with as much emotion, passion, and creativity as possible. I understand that each producer is different, so I make sure to evaluate that and adjust my methods accordingly. My main songwriting theory is to meet the audience where they're at; to write something that resonates with the listener.