Mixing & Mastering Engineers, Producers & Songwriters who worked with David Gleeson

Engineer/Composer/Editor - Daniel Ehrlich – Engineer

Widely experienced, highly flexible engineer, composer, producer. Worked with small studios, large studios, live stream in professional and freelance environments.

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 - Kay Frederick

My name is Kennedy and I play bass and drums I am 17 years old. I've been playing for a number of years. I was born as raised around musicians.

Music Producer - Natural Disaster
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Natural Disaster is a multi-platinum award-winning music producer, former collegiate athlete and alumnus of Kennesaw State University. He is most notably known for his production on and the beat behind the multi-platinum selling artist Soulja Boy’s hit single “Turn My Swag On.” This record was a chart-topping hit and was his first placement.

Bass (Elec/Fretless/Double) - Joseph Patrick Moore
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Currently, the bassist and assistant MD for the Cirque Du Soleil residency show in Las Vegas (Mystere). Some of the artists Joseph has worked with include Earl Klugh, Stewart Copeland (The Police), Bob James, Lisa Kelly/Chloe Agnew (Celtic Woman), Bo Bice (American Idol), and many others.

MUSICO DE SESION - Luppo Gesualdi
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TROMBONISTA Y PIANISTA PROFESIONAL. Grabaciones profesionales !!!

Session Keyboardist, Engineer - Nacho Seret

Jazz-trained keyboardist, studio owner and audio engineer based in East London. I specialise in synth programming, sound design and mixing for pop & R&B, with a strong focus on groove and musicality. Particularly passionate about arranging and preparing music for live performance.

Recording & Mixing Engineering - Look2xMuzic

With psychoacoustics, we think we are hearing differently, so while one engineer to the next will claim the best mix over the next, I focus on aligning mentally with creators during the creative process. Attention to detail is why I love to engineer, and the details of how I can do that with the product of your mix is the next step, for us.

Credits:
guitarist & orch. composer - Moses
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Writing a good song is like telling a compelling story. Effectively introducing the exposition, increasing the tension with various points of conflicts, and finally bringing the listeners back home with a satisfying resolution (or an infuriating cliffhanger if that's what you're going for) What will your story be? Let me help yours make an impact.

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