Mixing & Mastering Engineers, Producers & Songwriters who worked with De Relitti

Creative Mixing & Mastering Engineer with AVID Pro Tools Expert Certificate, Producer and Drummer. Resident at Blue Moon Rec Studio where the undeground becomes solid. Remember, sound matters: giving the right sound to a song is a mission. Releases for Sony Music, Universal and Believe.

If you don't want to spend tons of money and time in a studio but still want your songs to sound radio ready then feel free to reach out.

I offer affordable mixing, with years of experience. I’d love to help you get improve the sound of your songs a price range that fits you and your goals. With top of the line tools and a good ear, I am dedicated to assisting artists in getting the sound that they want. I also record and compose guitar, bass, synth and beats.

Session bassist with special skills on fretless bass. Working as an artist and with Heiskanen Bayatz Baharat, Helsinki Headnod Convention, Bossapoika and many more.

Jasmine’s duty is to understand, translate and manifest the vision you have for your productions and give your vision life!

Catchy one-liner here... Hi! I'm Anna with stay.weird.ent, here to welcome you to our art.

Lyricist writing hook-focused, catchy lyrics for dance tracks and emotional, dreamy lyrics for slower songs. I specialize in strong choruses, clear concepts, and mood-driven storytelling, adapting lyrics to fit existing melodies, demos, or briefs. I’m comfortable writing for different concepts, groups, units, and soloists, and collaborating close.

Professional studio mixing and mastering for electronic & experimental artists, combining 10 years of production experience with a precise, musical approach.

UK-based professional drummer, percussionist, producer and recording engineer. I offer remote acoustic drum and percussion recording, production, editing and mixing for artists, songwriters and producers worldwide. My focus is always on creating musical, dynamic performances and finished recordings that serve the song.