Mixing & Mastering Engineers, Producers & Songwriters who worked with Dear Fredy (film)

Production-Mixes-Guitar tracks - Ido Goldberg

Originally from Israel, I've been playing guitar professionally for 15 years. Producing, mixing and composing for film for the past four years. As a music producer, mixing engineer and Guitar player it is my mission is to translate your vision into music and make sure that your emotional intention and story are reflected in my work.

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Mixing & Mastering - George Bennet

I'm a mixing and mastering engineer from germany and provide audio mixing and audio mastering to clients around the world. The goal of my work is to deliver an authentic sound for various styles and platforms. Especially mixing and mastering for broadcast recommendations is one of my skills i've got to be really good.

Music Producer/Sound Designer - Kelsey Atlay

I'm an electronic music producer, sound designer, DJ and audiophile based out of Vancouver, Canada. I have a diploma in Audio Engineering and Music Production from Harbourside IT, and have been working in the industry ever since. Every project is unique. As a result, I've stayed versatile.

Remote Mixing & Mastering - Enrique Miranda

Hello, I am a Sound Engineer, I studied in the Academy Audioplace (Caracas, Venezuela) with more than 6 years of experience editing, recording, mixing and mastering songs. I can edit tunings, time, I can mix your song or master, as well as fix those annoying noises in your audios, for anything you can ask me.

Metal & Hardcore Producers - Darklex Studios
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We are a Recording Studio for the metal & hardcore niche. And we are trying to make a reputation in this site. So our price are BELOW our originals. Take the chance while you can!

Songwriter and Session Singer - Hailey J.
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A classically trained musician who writes and sings pop songs.

Mixer/Engineer - AwardWinning Mixer/Engineer

Grammy, and RIAA Certified Gold and Platinum Awards. In a world where a lot music is made step by step, I strive to take a step back and judge my mix decisions by the story or emotional pull of a record. I want clients I work with to listen to records, not mixes.

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