Mixing & Mastering Engineers, Producers & Songwriters who worked with flaws

emo dance music artist - Former Hero

emo dance music producer w/releases on bitbird & NIGHTMODE. here to help your music sound as beautiful as possible.

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 - Glass Dreams Music

A college-educated & experienced recording engineer, producer, and arranger specializing in singer-songwriter, country, folk, and Americana music. Based out of the Southern California area. For more information, visit my website - www.GlassDreamsMusic.com

Record, Mix, and Master. - Cam Randall
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Cam Randall. 26 years old. Knowledgeable in many aspects of the recording process as well as mixing and mastering the records.

Hip Hop/Boom Bap producer - E Saint

I'm an all around beat maker focused in hip hop and love to make something different and crazy with the best industry standards.

Editing & Proofreading - Students Web

Students Web reviews offers the most unique and high-quality editing and proofreading at pocket-friendly rates to customers.

Mastering Engineer - Patrick Hyatt
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I Mix and Master hip-hop, trap/emo metal, alternative rock, emo rap/pop, hyperpop and more.

Rock/pop/classic rock vocalist - Rory Max Kaplan

10+ years singing in the studio with some of music history's top producers such as Frank Filipetti, Larry Alexander, Kip Kaplan, Tommy Mattola and others. Rock/pop style vocalist and lyricist - comfortable with solo projects, band projects, live events, and theme songs for film/TV. Original work can be heard across all streaming platforms.

Editing and Proofreading  - ScholarsLeague

We remove the flaws with our editing and proofreading service and improve your document’s quality.

Producer, composer, mixer - Tim Howarth
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Hi I’m Tim, and I’ve been working as an indie Producer and Mixer for over 25 years. I specialise in dark folk, authentic singer songwriter, edgy indie and acoustic folk pop. My sound tends to be warm and organic, but I respond to you as the artist and creator and will enable any sonic tendency you feel represents you and your work.

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