Mixing & Mastering Engineers, Producers & Songwriters who worked with Frannie The First

With over a decade of experience and a critical ear honed at Stanford and TU Berlin, I offer professional mixing and production services tailored for independent artists. Specializing in hip-hop, I blend state-of-the-art technology with a unique touch to deliver high-quality, affordable mixes. Ready to refine your sound?

writer producer mix engineer.

10 years Experience use Large format console (Amek ,SSL, Nave , API ) . Mixing On analog console . Like a mixing Rock, KPop,Soul, Rap,JPop But now can mixing “dolby atmos”

Here for making your track explode! I can mix and master your tracks in order to reach the industry standards for streaming services and phisical support, bringing out the true potential of your song. I'm specialized in electronic music such as techno, house and subgenres and, as a musician, with acoustic music, like indie pop/ rock.

I'm a composer for 15 years, sound engineer, mixer and producer for 25 years and a pounding music lover for 143 years! I like frontal and warm sound, surprising arrangements, raw and organic textures. A song should be a journey, with multiples colours and adventures to listen to. I try to have that picture at the end anyway...

Specialist Extreme Metal Producer, Songwriter and Performer with over 10 years of experience. I offer a huge range of services to realise your extreme metal productions. Death Metal, Deathcore, Slam, Black Metal, Metalcore, Grindcore...... I will work with you to get your tracks to sound industry standard.

I'm a session guitarist and vocalist located in East Texas. I'd love to collaborate and deliver what you need for your project!

I am a singer, songwriter, music educator, and vocal coach that has assisted over a dozen people with their musical needs. Weather you need to simply gain confidence in your singing voice, or you are looking to record in a professional studio, I am here to help.

I am an audio post-production mixer in the film industry, and I work mainly on micro-budget films where we do not have the luxury of dubbing dialogue; I have to make it work with what we got in the field.