Mixing & Mastering Engineers, Producers & Songwriters who worked with gone fludd
My name is Ilya Showtime, I am a music producer, sound engineer, composer with over 17 years on-the-job experience.
More providers:
I enjoy working with good music!
Music Producer / Remixer. Genres - Hip hop, Trap, EDM, Progressive, Trance. work for the ultra scene Entertainment (U.S.) or other official remixes.
Recording and mixing engineer - winner of the Student Recording Competition AES LAC Uruguay 2018 Percussionist for over 14 years - Latin percussion and folklore percussion Producer and composer of Latin music mainly
“Erik is co-producer and co-writer on many of boy pablo’s hits as well as an accomplished technician, mixing engineer and mastering engineer. He is one of the most important parts of the 777 studio team. He is also one of the nicest guys you could hope to meet.” -from 777music
Works creatively
Music Producer | Vocal Producer | Mixing and Mastering Service | IG: @Dominic_Eagle
Session violinist, sound designer and experimental latin musician based en BA, Agentina.
I am a music production technician in training at the Astor Piazzolla Superior Conservatory of Music, with experience in mixing, mastering, and production using Ableton Live. I work with all genres, always with one clear goal: to make your music sound professional, impactful, and true to your artistic vision.
Recent Successes
"Duane is a highly skilled musician and delighted me with his ability to capture exactly what was required. Throughout the project he sent demos, maintained great contact with informative dialogue and delivered perfect..."
Mark S."Ashley was amazing to work with she did a great job translating my song from English to Korean. Thank you so much Ashley! "
Suzanne"Lachi is an actual diamond"
Mark S."Robert is always a hard working professional! We have done several songs with him now and have never been disappointed. Looking to do more in the near future! Thank you Robert. "
thefuzz60"Thanks again Brendan! Great job on the mix!"
Daniel M.
