Mixing & Mastering Engineers, Producers & Songwriters who worked with Harissa

Producer Pop Soul Orchestral - Mike Makana
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Producer, composer & pianist helping artists turn raw ideas into finished songs — soulful, professional, and true to your identity.

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Rec, produce, mix & mastering - David Levinsson // LEVINSOUND

In the middle of Gothenburg me and my studio serve as an audiohub for creatives. For remote recordings, production skills, acoustic piano recordings or mix jobs all over the world , just send me an email. Best/David

Music Producer & Songwriter - Comfort Music
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Creative emotion driven music, open concept - Instrumentals for Film, Songs for Artists, Mixing for Clients.

Mixing Engineer, Remote Mixing - Joost de Glopper

Need to get your tracks to a higher level? I'm always happy to deliver.

Singer, Actress, Voice Over - Charissa Whillock
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Charissa Whillock is a crossover coloratura soprano whose ease between genres has landed her opportunities from playing leads in opera to belting pop tunes on international stages. She can create large belt to a small wispy sounds and has large range that can accommodate and incorporate details that only highly skilled singers can create.

Profession Singer - Gayatree Gaikwad-Gulhane

Gayatree Gaikwad-Gulhane is one of the finest and recognized artist of “Patiyala Gharana” and “Kirana Gharana”. She regularly performs Khyaal, Ghazal, Dadra, Thumri, and Abhang. GayatreeG www.GayatreeG.com

Remote Mixing & Mastering - Pietro Lanza

Mix the song, Make the Artist fulfilled and Leave!

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Ghost Producer, Mixing Service - ROZYO
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Dreaming of signing your track to Afterlife or Zamna? I’m Jeff Roziyo (ROZYO), DJ and producer with major releases on Zamna Records and Afterlife. My tracks have been played at the world’s top venues by leading DJs. I know what it takes to create music that stands out. Now, I want to help you reach the highest level—refining your sound and getting

Mix, master, edit all genres - Duane Whitcraft

Engineer ready to mix, master, and/or edit your next project.

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