Mixing & Mastering Engineers, Producers & Songwriters who worked with HeyBiteThis

EDM & Bass Music Specialist - Aaron Roman
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(1325)

Clients released on DeadBeats, Wakaan, DIM MAK, Lowly, Circus, UKF, House Call Records, Sable Valley, Monta & many more.

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Mixer Producer - Calvin Lauber
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(2)

Calvin Lauber- producer and mixer, credits include Julien Baker, The Band Camino, Brother Moses, It Looks Sad

Mix, Master, Record, Musician  - Daniel Arrieche Diaz
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Hi my name is Daniel Arrieche Diaz, I´m an Audio Engineer currently working with Backstage Valencia Recording and Mixing Studios in conjuction with SilverSound Mastering Studios.

EDM & Bass Music Specialist - Aaron Roman
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(1325)

Clients released on DeadBeats, Wakaan, DIM MAK, Lowly, Circus, UKF, House Call Records, Sable Valley, Monta & many more.

Producer / Piano / Keys - Ambrose Soehn
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Hey my name is Ambrose and I'm a classically trained pianist and producer. I've got perfect pitch and over 10,000 hours of experience on the keys. My production style blends old school classical harmonies with new school drums, synths, and dance vibes. I excel at composition, playing keys, recording, editing, and programming.

Producer, Mixing, Mastering - Carlos Ezequiel
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(18)

Music Producer for some of the top Brazilian Jazz artists.

Grime/Trap/Electronic Producer - HITPOINT
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A rap and electronic music producer with many influences, both musical and non-musical, comfortable in producing most rap and electronic subgenres from Grime and Trap, to Hip Hop & R&B, to Garage & Dubstep, to Dancehall & Afrobeats, more recently getting into short film scoring

Kevin Yrie - Kevinbiyrie14

soundbetter.com

Credits:
Profesional Session Guitarist  - Ezequiel Burin
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I'm Eze, i'm 26 years old, and I've been connected with music my entire life. I am a guitarist open to any style or genre and I also like to explore other instruments such as piano, bass or percussion. I Love to make music transcriptions and I really get into it when it come to find the best way to put the sound into a sheet of music.

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