Mixing & Mastering Engineers, Producers & Songwriters who worked with Jeremy Legault

Mastering; Analog Magic  - Ashley NepTUNE
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Cosmic sounds with wordly rates. Offering High Resolution 192k 32bit Mastering in 440 and 432hz. World Class "Transparent" or "Warm" Mastering for any application; Vinyl, CD, Streaming, Podcast, Film, TV, Licensing. Mastering or Re-Mastering music with the combined techniques of finest Engineers for sonically pleasing results.

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Live and studio Job - Carlos Fetecua

Music Producer. Avid Pro Tools Certified User Logic Pro User Reason User

Producer / Musician / Engineer - Chris Zantioti

Chris Zantioti is a young and experienced recording and mixing engineer and producer. He is also a very talented, creative and professional musician, playing electric guitar and electric bass, strongly involved in Soul, Neo-Soul, Blues, Funk and Jazz genres.

MULTI INSTRUMENTALIST COMPOSER - CAPALOVE
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50's 60's 70's connoisseur .

Flamenco/Highlife Guitar/Bass - Matías Reed
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Whether you're after tight hooks or delicate fingerpicking, a solid bass line or face melting shred I can enliven your track with professionally recorded guitar and bass parts to suit your needs.

Mixing/SoundDesign/Recording - Laurens van de Loo

Mixing and Sound-Design, 15+ Yrs Experience, Laurens van de Loo is an professional Munich-based mixing / mastering engineer and sound designer. He has been working with artists and film productions for many years.

Music Producer, Composer - Sherif Salim
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I create music for a variety of commercials, brand identities, radio, Film/TV and YouTube videos. I focus on making high quality music that will enhance any video or other media application. I specialize in, Cinematic, Rock, corporate, motivational and inspirational music.

Sound Designer / Sound Poetry - TIMES

Producer / Sound Designer / Film Score / Videogames Soundtrack / Sound Arts

Mixing Engineer - Michael Pratt
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Industry veteran with 17 years experience, contributing to Grammy-nominated projects and emerging talent across multiple genres.

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