Mixing & Mastering Engineers, Producers & Songwriters who worked with Jimmy Barnes
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Adrian K - from orchestra leader for Sir George Martin to leading sessions for Australian Top10 hits - Multitrack String Recordings typically up to 10, 16, or 25 tracks Want Funk or Soul on your Strings? Indie? The Blues? I have an original approach as an arranger - Session work as a reader or improviser - original arrangements
Credits include Kasey Chambers, Jimmy Barnes, Paul Kelly and many others. I am a Nashville based Australian producer and mixer specializing in Roots and Americana music with multiple gold and platinum records and 15+ ARIA Awards to my work.
I produce, record and mix records for a living. Over the past 20 years I have worked all over the world with many amazing people. I'm here to help you take your music to the next level. For more info about me check out my website. There are also some mix examples here on the media player. Let's work! www.twistedrobot.com.au
I'm a bass player, producer, arranger, songwriter. I've played on records for artists as unique and different as Kurtis Blow, Darlene Love, and Judy Collins. I've performed live with artists as diverse as Elvis Costello, Brian Wilson, and James Brown.
My name is Robbie Artress; I'm a Nashville-based producer, engineer, and musician. I've had the opportunity to work in many of Nashville's top studios (such as RCA Studio A, House Of Blues, and Starstruck) and to learn from countless Grammy-winning producers, engineers, and artists.
CHRIS DOHERTY - RELEASE QUALITY MIX FROM A MIX ENGINEER WITH 15 YEARS EXPERIENCE ACROSS MANY GENRES. I have worked with artists from Snoop Dogg, Coldplay, Red Hot Chilli Peppers to Symphony Orchestras and acclaimed world-music and baroque ensembles. My experience goes beyond "pop" so if your music deserves a different approach I am here to help!
Four decades of engineering experience in live and recorded music production in all genres and across all levels, ability to deliver unsurpassed pristine sonic clarity, separation and punch while retaining true dynamics without sacrificing loudness.