Mixing & Mastering Engineers, Producers & Songwriters who worked with Kaz Zabala

Online Mixing & Mastering - John Graham
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I'm an Independent producer/musician who offers editing, mixing, and mastering at reasonable prices. I've collaborated with many top SoundBetter vocalists, notably Andrea Santachica, Angela Gooden, Kaz, Kesha Parish, Tammy Berman, Aika Zabala, Ariel Jones, and Jessica Jolia. I love mixing Pop, Rock, R&B, Jazz, Contemporary, & CCM genres.

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Music Producer, Music Arranger - Artyom Semenov
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Hi, my name is Artyom Semenov. I believe my strong points are my Creativeness and Punctuality. My #1 goal will always be to meet your needs and deadline. When working on a new project, I like to speak with the client, so that I can have a clear understanding of his/her needs and v

Mixing Engineer  - Melissa Hernandez
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I want to be of service to bands/artists and help them release quality sounding songs to their fans.

Writer, Producer, Mixer - Matt Ball
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Matt Ball is a multi instrumentalist songwriter, record producer, mixer and engineer. Working in the recording industry for 17 years Matt has a wealth of experience and has worked with countless artists most notably Tony Kirkham from The Stereophonics & Chad Smith from The Red Hot Chilli Peppers and has recently worked at Abbey Road Studios.

Remote Mixing & Mastering - Holymount Studio

I've worked in music since I was a child. One year ago I opened a recording studio in the city of Rome. We work with all kind of artists, and music genres: from metal to trap music.

Music Producer, Composer,  - Apia Meer
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I specialize in crafting melodic piano and orchestral pieces that add deep emotional resonance to films, videos, and ads.

Black Metal Mixing/Mastering - Noy1z.art
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Remote mixing/mastering engineering in the box, focused on black/post metal

Artist, producer, DJ, Rapper, - Oloso

Hip hop connoisseur. Music Director.

Jazz and Classical Mixing - Grady Bajorek
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Specialized in jazz and classical, I provide precise, high-quality sound engineering to elevate your music.

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