Mixing & Mastering Engineers, Producers & Songwriters who worked with Kronos Quartet

Mixing engineer - Maria Elisa Ayerbe
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Booked until July 25th! LATIN GRAMMY WINNING ENGINEER and 4 x nominated producer, who has worked for GRAMMY and Latin Grammy albums. Mary J Blige, Marc Anthony, Juanes, Natti Natasha and many others. Pop, Latin Pop, Latin Urban, RnB, Pop Rock, Rock, Reggaeton, and everything in between!!!

Orchestral Music Wizzard! - Arnold Veeman
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I am a musical colorist, a composer with a knack for orchestration. One of my greatest strengths is my ability to make the conceptual practical and I’m interested in working with screenwriters and film-makers alike.

HiRes Recording & Mixing - Stephen Jarvis
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High-end audio recording equipment, microphones, remote recording & production resources for professional touring bands, w/ good songs, self-contained competent musicianship who'll make records in the San Francisco East Bay Area while they tour $$. My professional record tracking/mixing career began at Wally Heider Recording SF 1971-75 to today.

Mastering Engineer - Top Analog Mastering
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Alexandr Vatagin is a mastering engineer based in Vienna, Austria.

viola, violin, arrangements - Ljova Music

Ljova has recorded with Yo-Yo Ma & The Silkroad Ensemble, arranged for The Kronos Quartet, Natalia Lafourcade, Alondra de la Parra, Gustavo Santaolalla, has released ten albums, penned dozens of film scores and more. Convenient Manhattan studio or mobile worldwide.

Studio and Live Sound Engineer - Alex Spencer

As primarily a freelance and contract worker, the most important thing for me is making sure that each job is fulfilled in a way that warrants a call back for the next gig. Building long term relationships helps everyone involved. I'm always looking for future gigs both in and out of state.

 - David Sykut Recording

Everybody says they're cutting edge, and many of them actually do offer the very modern equipment. What I offer you thats different is a committent to capture authentically your musical soul. Sure, it's a great thing to be able to edit and fix things in the mix...wouldn't you rather know that the sound you and your audience hear is YOU?

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