Mixing & Mastering Engineers, Producers & Songwriters who worked with Lakshane

Artist, songwriter, producer and mixing engineer working remotely from Australia specialising in forward thinking popular production. If you want to make commercially minded songs to fit on radio and global playlists, or even unique genre-pushing music to craft the sounds of tomorrow I can help get you there.

Connor Johnson worked with artist/producer Lincoln Parish (Cage The Elephant) and assisted on tracks in the Top 10 credits of iTunes and Spotify. Connor began working as front-of-house and monitor engineer for Dwight Yoakam’s original guitarist and producer, Pete Anderson. Connor is Owner/Operator of music production service, Pit Stop Nashville.

Young engineer of mixes and drummer looking for challenges and new sonorities.

I love to learn and to be inspired by other musicians and artists, and it’s my passion to work together and help others to express themselves. Worked with known Israeli artist such as Assaf Goren, NOROZ, Yakir Aharon, Daniel Solomon and Nadav Eder.

A pro session singer and topliner with 15 years of experience in sessions and on the stage. I have sung for top producers, hit songwriters and collaborated with top artists for pop, gospel and music theatre productions. Where possible I try to be available in person, but always available remotely.

Been producing and mixing my own music for years now, started with rap production and now shifting to pop No big names on the credits.

Been producing over a year and I am studying Music Production course in college. I fully produce all of my own tracks (beat making, mixing and mastering) and am looking to produce tracks for others

Taylor is a versatile and soulful vocalist, topliner/songwriter. From headlining festivals to collaborating with top-tier producers, and earning acclaim on Australia's Triple J and FBi, she's a dynamic force in Pop/R&B/DnB. With over a decade of experience, her track record speaks volumes, cementing her as a leading voice in contemporary music.

Let's BLOW UP the club speakers - stem mastering for the price of stereo! Let's be real - if your LOW END DOESN'T HIT, your track DOESN'T WORK. Thats why we go beyond stereo masters.