Mixing & Mastering Engineers, Producers & Songwriters who worked with Leo Wolf

Music Mastering & Production - sEQuel Sounds

sEQuel Sounds focuses on pushing music forward. We achieve a dynamic sound with the use of both analog and digital gear to highlight the hidden details within the music. Mainly focused on hip hop and electronic-based genres, our services are diverse and perfect for taking your music to new levels. We serve artists that want to make bold statements.

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Guitar/Songwriter  - Narada Vanegas

A studious compelling different guitar player/songwriter who’s collaborated with the likes of Tory Lanez, Trey Songs, Justin Bieber, Lloyd Marks and many indie artists.

Music Producer, Mix Engineer - Vergil So
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I am well versed in a wide range of DAW software, and I have an Avid Pro Tools 110 qualification.

Singer-songwriter + producer - Abby Warner

I'm mainly a singer-songwriter. I record, produce and release my own music with one of my songs gaining interest from BBC Breakfast, Channel 4's Steph's Packed Lunch as well as national newspapers and local news. I also play several instruments and over the past couple of years have started producing music as well.

Music producer - Fabian Antonio

I am a amateur lofi hip hop producer based in south Africa

Tracking | Mixing | Mastering - Nehemiah.
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Currently working at Conway Recording Studios. I focus mainly on pop, rap, and R&B artists tracking vocals, mixing, and mastering songs.

Music Producer, Sound Designer - Matteo Serra

Music Producer, Sound Designer, Sound Engineer

Credits:
Sound Designer & Engineer - David Austral Sonus

"Sound designer and audio editor delivering clean, powerful sound for film, TV and ads. Expert in Foley creation, dialogue editing and immersive soundscapes. I also compose and mix music with professional detail, enhancing any project with impact and precision

Mix | Master | Session Guitar - Epistemic Audio
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Epistemic Audio (df. = of or relating to knowledge of audio) describes my approach to mixing: listen carefully, know the track's goal, and make every mix decision to achieve that goal. This allows me to treat each project fresh: no templates or presets, just ears and knobs.

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