Mixing & Mastering Engineers, Producers & Songwriters who worked with nevlada

Mixing, Mastering, Production - Andrey Akatov
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We work with your mixes not for two, five or ten hours but until it sounds as best as possible!

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 - Why Sound

Why Sound 30 Federal Ave Logan, UT 84321 435-363-4700

Music Producer and Remixer - Chris Salt

Dance music remixer, specialising in techno, tech house, progressive and breakbeat. Remixed for major label artists as well as for smaller independent label projects. Released many singles and several albums (artist album and mix compilations).

Strings Ensemble Recording - Venezuela Strings Recording
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Strings Recording Ensemble, Strings Recording Orchestra, Strings Recording Quartet

 - Woodini
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A sound at the crossroads of Hip Hop, Electro and Soul Music, Woodini lays the foundations in 2011 with his first EP ("Chrysalid") . Acclaimed by Nowness, Rollingstone magazine, Konbini, Trax, the Inrocks and Kitsune, he offers himself a Franco-Spanish tour in 2020 with Garorock as a highlight alongside Disclosure and Flume.

Mixing/Recording Engineer - Rodrigo
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Versatile Mix Engineer, we take your tracks to the next level. Listen to our work!

Japanese instrument specialist - Paolo Cotrone
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First non-Japanese Shihan-Natori (Japanese Music Master).

Producer, singer, songwriter - Fred Seul
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Hey you! I'm Fred Seul, a seasoned music professional with a decade-long journey navigating the vibrant landscapes of the music industry. Over the past 10 years, I've accumulated millions of streams, collaborated with renowned billboard artists and producers, infusing my musical expertise into both pop and cinematic projects.

Drummer, Percussionist, Mixing - Colin Agnew
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I have 20 years experience as a first call touring and session musician and have over 600 released song credits. I have also been producing bands and songwriters for the last 10 years. Using a hybrid rig of analog hardware and in the box software I am a mixing engineer, and drummer and percussionist versed in folk, rock, jazz, soul, and latinx pop.

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