Mixing & Mastering Engineers, Producers & Songwriters who worked with Oniverse Group

Mixing, Mastering

Hi I am a producer that goes under the moniker "nøll". I primarily make trap/future bass/hip hop/ and pop.

I've been a session musician all over the west coast for almost ten years, recording and arranging horn parts for Soul, Funk, Reggae, Jazz, Hip Hop groups. I've recorded Saxophone, Flute, and Clarinet, created improvised solos, as well as arranged parts for woodwind and brass sections. I've worked specifically with Daptone recording artists.

Unique and fresh sounding toplines and lush layers of vocal harmonies. If you want your song to stand out and be remembered I'm the vocalist for you.

Buenas, soy Black Silence. Cantautor y productor musical. Actualmente trabajo en mis propios sencillos pero me gustaría colaborar en otros proyectos. Nociones en masterización, desarrollo de beats, composición, letras, diseño de portadas,... Abierto a cualquier estilo musical pero mi punto es el género urbano.

As a veteran of the LA music scene I have been fortunate to work with a diverse group of artists including David Foster, Leann Rimes, Whitney Houston, Weezer, Huey Lewis and the News, Barbara Streisand, Jennifer Lopez, Stevie Wonder and many others. I'm passionate about guitars, songs and production and would love to help you realize your vision.

Music Producer, Old Street Studios, mixing with analogue, training with Luis Bonilla (Black Saloon Studios) and working with artists such as Albert Gold and Adam Anderson, trained at IMW Music Production School, Old Street.

hi my name is kshitij , I am a 17 year old producer. i have been producing music since 6 years now. when i started first i produced mainly EDM but later during lockdown i started producing hiphop beats and from that i still continued to do it . yeah so feel free to message me if you want to buy trap-beats, Thank you.

Grammy, and RIAA Certified Gold and Platinum Awards. In a world where a lot music is made step by step, I strive to take a step back and judge my mix decisions by the story or emotional pull of a record. I want clients I work with to listen to records, not mixes.