Bespoke Composer & Producer

Q: What's your strongest skill?

A: Combining experience and technical skills from the electronic and dance music world with compositional and practical training and refinement from the classical and scoring world.

Q: Tell us about your studio setup.

A: Small but perfectly formed, meeting all the needs of a modern production project - from the perfectly acoustically treated sound-proofed room to the choice items of outboard such as the stereo pair of Empirical Labs Distressors.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Being the producer for Submotion Orchestra has been quite a ride. Mixing front-of-house for 10 years with them has had me mixing in venues all around the world from the Royal Albert Hall to a Roman amphitheatre in Croatia. Working with Ninjatune on some of their big projects has also been a real highlight for me.

Q: Analog or digital and why?

A: Both have strengths and weaknesses - it's all about the needs of the client and the project. If you need flexibility, digital is the way to go. If you want character and feel, then it's a lot more important to break 'out of the box'.

Q: What was your career path? How long have you been doing this?

A: Training in classical music since age 6, then being drawn to the electronic side of production age 14, I've now been working in the industry professionally for over 15 years.

Q: How would you describe your style?

A: Soulful electronic music with plenty of bass and classical/jazz influence.

Q: What type of music do you usually work on?

A: Cinematic Electronic Downtempo

Q: Describe the most common type of work you do for your clients.

A: Bespoke Production & Mix Engineering