Immersive Audio and Film Sound Design • Dolby Atmos • Dolby Atmos Music • Surround Formats up to 22.2 • Mixing for cinema, home and entertainment • high-end binaural processing by New Audio Technology Awards • Sonic Arts Award 2015 • Master of Music 2015 • Audience Award 2009 • First Step Award 2008
Degree in "electro-acoustic composition"
- Master of Music, at the Liszt School of Music in Weimar.
I work in sound for film since 2006 with companies like Black Bear Pictures, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.
And as a sound artist, I evolve sound installations, acousmatic-composition,
multichannel-sound design concepts for films, theameparks and exhibitions.
Contact me through the green button above and let's get to work.
- SUM 1
- A Yound Doctors Notebook
- THE ADVENTURE - THE CURSE OFTHE MIDAS BOX
- MOONE BOY
- ARMAN´S SECRET
- WHATEVER HAPPENS NEXT
- Julia must died
- THE OPERATIVE
- Z NATION
- FENSTER BLAU
- SMALL HEROS
- NIGHTMARE SHARKS
- BACK TO MARAKANA
- SHERAZADE: THE UNTOLD STORIES
- RIVER OF LIVE
- ZUM GEBURTSTAG
- ME AND MRS JONES
- DREI STUNDEN
- VAGRANT QUEEN
3 Reviews - 1 Repeat ClientEndorse Andreas Vorwerk
Other project with Andreas! What a phenomenal sound designer! Super friendly, and professional! He brought my project into another level!
Great sound designer! Very professional! Looking forward the next collaboration!
Andreas is a super professional and talented sound designer! He created the sound that I never heard before! Highly recommended!
Interview with Andreas Vorwerk
Q: What was your career path? How long have you been doing this?
A: I working in sound for film since 2006 with companies like Black Bear, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.
Q: What advice do you have for a customer looking to hire a provider like you?
A: being respectful and don't underrate sound for film.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: big solar panels my field recorder laptop headphones and my pacarana
Q: Can you share one music production tip?
A: music need to breath
Q: What type of music do you usually work on?
A: acousmatic music
Q: What's your typical work process?
A: Create a sound concept with the director for his film and have a close communication with all departments to finish the project in time.
Q: Tell us about your studio setup.
A: • Pro Tools Ultimate 2019.10 • Edit Suite LCR - Genelec 8341 AP | Rear Genelec 8331 AP | Subwoofer 7360 APM • Genelec Loudspeaker Manager (GLM) for room calibrating • Acoustic Treatment by Vicoustic and Primacoustic • Kyma - Symbolic Sound: Sound Design Environment • Dolby Atmos Production Suite • New Audio Technology | Spatial Audio Designer: 3D Audio Mixes up to 22.2 (inkl. Dolby Atmos Home, Auro 3D and 2D Mixes 2.0, 5.1, 7.1, MPEQ-H) • PlugIns: The Cargo Cult, Zynaptic, Exponentional Audio, PlugIn Alliance, iZotope Post Suite, Audio Ease... • SFX and Fieldrecording Setup: Sound Devices Mix Pre 10T, Sound Device 744t, div. Microphones (Sennheiser Ambeo, DPA 4060, Neumann km184, Dolphin Ear Hydrophone, div JrF, cold gold microphones)
Q: What other musicians or music production professionals inspire you?
A: Aphex Twin Chris Clark Amon Tobin Bords of Canada
Q: Describe the most common type of work you do for your clients.
A: Sound Design (5.1 Surround or Dolby Atmos) Dialogue Editing Post Mixing (Re-Recording) Restauration
Q: What's your strongest skill?
A: 3D Audio Sound Design in 5.1 format up to 22.2 Dialogue Editing