Producer, Composer, Beatmaker

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project I’m especially proud of is the soundtrack I created for "UFO: Alien Invasion," a videogame that has reached over 1.7 million downloads. Being part of a project that reached so many people and left a mark in the gaming community means a lot to me.

Q: What are you working on at the moment?

A: Right now I’m working on several projects, including music for a new indie videogame, some orchestral elements for a pop album, and a few tracks for short films. I’m also busy updating my music portfolio and experimenting with new sounds for my electronic music label. Every day brings something different, and I love keeping my creativity flowing!

Q: Analog or digital and why?

A: Both! I love using analog and digital together because each one brings something special. Analog gear gives warmth, character, and that "human" feeling, while digital tools offer endless flexibility, precision, and creative options. Mixing the two lets me get the best of both worlds, unique sounds with emotional depth, but also modern quality and control. For me, it’s all about using whatever works best for the music and the emotion I want to create.

Q: What's your 'promise' to your clients?

A: My promise is to always listen carefully to your ideas, respect your vision, and give every project my full dedication. I guarantee open and honest communication, quick replies, and a real passion for making your music unique and memorable. Your satisfaction means everything to me, and I won’t stop working until you’re truly happy with the result.

Q: What do you like most about your job?

A: Probably the creative freedom and the joy of bringing ideas to life through music. Every project is a new world to explore, and I love the challenge of translating emotions and stories into sound. Making something that moves people or helps tell their story is incredibly rewarding for me. Plus, collaborating with talented artists and clients from all over the world always inspires me and keeps things fresh.

Q: What questions do customers most commonly ask you? What's your answer?

A: One of the most common questions I get is: “Can you make my song sound more cinematic or epic?” My answer is always yes! I love bringing that cinematic touch to any track, whether it’s with orchestral elements, dramatic builds, or unique textures. I always listen to what you want first, and then find the best way to add that special feel to your music. Another question is about the process and turnaround time. I usually explain that I deliver the first version within a week, and one revision is always included so you can be sure the music fits exactly what you have in mind.

Q: What's the biggest misconception about what you do?

A: The biggest misconception is that creating music, especially orchestral or cinematic tracks, is just about pressing a few keys and letting the software do the rest. In reality, it takes a lot of skill, creativity, and attention to detail to make digital music sound truly emotional and real. Every part, from the arrangement to the tiny imperfections that make it feel human, is carefully crafted. My goal is always to give each piece its own character and soul, not just a "preset" sound.

Q: What questions do you ask prospective clients?

A: I usually ask a few key questions to get to know your needs and ideas: What is the main purpose or mood of your project? Do you have any references or examples of music you like? Are there specific instruments or styles you want to include or avoid? What is your ideal deadline? Is there a story, message, or feeling you want the music to communicate? Are there technical requirements or formats you need? I love listening to my clients and making sure I understand their vision before starting. Good communication always leads to the best results!

Q: What advice do you have for a customer looking to hire a provider like you?

A: My advice is to be as clear as possible about your ideas and expectations from the start. Share your vision, references, and any examples you love, it really helps me understand what you’re looking for. Don’t be afraid to ask questions or request changes, because your satisfaction is the most important thing. Also, trust the creative process: sometimes a new perspective or suggestion can lead to something even better than you imagined!

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: On a desert island, I’d bring my main keyboard (can’t live without it!), a powerful laptop with my favorite DAW and plugins, a good pair of headphones, my bass guitar, and a solar charger to keep everything running. With these, I could create music anywhere, even under the palm trees!

Q: How would you describe your style?

A: My style blends cinematic orchestral sounds with modern elements, often mixing traditional instruments with electronic textures. I love creating powerful, emotional music with deep, rich tones and dramatic melodies. My tracks often move across different moods and themes, keeping things dynamic and surprising. People say my music has a unique "storytelling" quality, always aiming to evoke strong feelings and leave a lasting impression.

Q: Which artist would you like to work with and why?

A: I would love to work with Hans Zimmer because his approach to blending orchestral and electronic sounds is truly inspiring. I admire how he brings emotion and intensity to every soundtrack, always creating something fresh and memorable. Working with someone like him would be a dream, both for the chance to learn and for the creative energy he brings to every project.

Q: What type of music do you usually work on?

A: I usually work on orchestral soundtracks for films and videogames, but I also create music for short films, web series, and commercials. Besides that, I often collaborate with Hip Hop, Metal, Rock, and Pop artists who want to add orchestral or cinematic elements to their tracks. This lets me move between classical, modern, and experimental styles, always focusing on creating something unique and emotional.

Q: What's your strongest skill?

A: The things my fans often notice and love about my work are the powerful, deep, almost rock inspired violins, as well as the rich low tones I use. I’m known for being able to create a wide variety of themes, sometimes exploring a broad musical spectrum even within the same composition.

Q: What do you bring to a song?

A: I bring emotion, atmosphere, and a cinematic touch to every song. My experience as a composer for film and games helps me create music that tells a story and adds depth. Whether it’s orchestral elements, powerful synths, or unique arrangements, I love making each track stand out and feel memorable. I’m all about enhancing the mood and giving your music that special, professional sound.

Q: What's your typical work process?

A: My work process always starts with listening carefully to your needs and vision for the project. I like to discuss your ideas, references, and goals to be sure I understand exactly what you want. Once we agree on the direction, I’ll create a draft and share it with you for feedback. After your input, I’ll refine the music and send you an updated version. Usually, I deliver the first version within a week. One revision is always included, and I’m always happy to communicate throughout the process to be sure you’re fully satisfied with the final result!

Q: Tell us about your studio setup.

A: I work with keyboards, guitars, and basses to craft unique soundtracks using a blend of digital and analog sounds. I’ve developed a custom made orchestra, specially configured to sound incredibly realistic. This orchestra is perfect for soundtracks, and it also shines when used in Hip Hop, Metal, and Pop tracks, whether to support melodies or to create memorable intros and outros!

Q: What was your career path? How long have you been doing this?

A: My story began many years ago during the amazing mp3.com era! In just a few months, I became one of mp3.com’s top artists under the name Vanethian, and was featured in the well-known FLASHBACK2000 compilation. Since then, I’ve composed music for over 100 videogame soundtracks, commercials, short films, and much more.

Q: Describe the most common type of work you do for your clients.

A: My main role is as a Film and Game Music Composer, creating soundtracks specifically designed to sync with video. That said, I’m also often approached by Hip Hop, Metal, Rock, and Pop artists who want to add my orchestral elements to their songs, so my work is quite versatile!

Q: Can you share one music production tip?

A: Most digital orchestras just use recordings of orchestral instruments played on a keyboard, which often sounds too "perfect" and a bit robotic. My custom made orchestra, instead, captures the natural imperfections you hear in real performances, like little noises and "errors" that come from real musicians playing together. For example, real violins never sound exactly the same because every player adds their own small variations. These human touches create that beautiful "choral" effect we all love in real orchestras, and I’ve found a way to bring that feeling into my music.

Q: What other musicians or music production professionals inspire you?

A: I love the Greatest Film Music Composers, like John Williams, Ennio Morricone, Jerry Goldsmith, Hans Zimmer, James Horner, Danny Elfman, Alan Silvestri, Howard Shore, Basil Poledouris, Wendy Carlos, Vangelis.