We cater for everything from artist development right up to the recording process, through to mixing and mastering. No job too big or too small. We service the record label 3nd Records exclusively and have done work for many major brands and other major labels. There is a great team of engineers, producers and a hefty selection of high end gear
RECORDING:
Loma Capiro can track up to 96KHZ for super high fidelity recordings. We record full bands, voiceovers, ADR, foley, sound design, synthesis design, location recording, digitising from all previous formats (including tape, vinyl, reel to reel, RCA tape cartridge, Betamax, DAT and MD) and a host of other services.
MIXING:
Mixes can be supplied all the way up to 5.1 with experienced engineers covering commercials, film, concerts and music. Mixes will sound how you want them to. We will not change the intention of the original production unless required. We do online mixing, attended sessions, upmixing, downmixing and much more.
MASTERING:
Our mastering service is consistent, quick and reliable. We will get you the sound you want whether it's loud or soft it will still be rich in dynamics. We provide attended, online/unattended mastering, restoration, stem mastering and remastering. We also do DDP mastering to Redbook standard.
We also have audio restoration services available and executive producer services available.
Please feel free to reach out to us with any enquiries you have.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Loma Capiro
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: My own project Juno Watt is a showcase of what I love in music and how I'd execute it. It's the most creative fun I ever have.
Q: What are you working on at the moment?
A: I'm producing a young talent Cameron Broomfield. Just mastered Ghetts new live album. Executive producing an EDM project. Producing and or writing most of the projects already released and about to be released on 3nd Records.
Q: Analog or digital and why?
A: Both. It's obnoxious to say one is better than the other. People say you can't hear the difference anymore. If that's the case you are in the wrong line of work. Your ears should work better than that.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Cheaper is not always better. There are lots of people in their bedrooms and poorly built studios offering all sorts of services that they have no experience in. We may not be the best for your requirements but we will be honest about that and refer you to the right people if we feel we aren't the best option. That is what you should expect from any professional. An honest and transparent service. We take great pride in our work.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: All of the following must be bombproof, waterproofed and solar powered: Macbook Pro (with satellite and unlimited cloud storage), Benchmark DAC2 L, C1000s and a 5.1 setup of B&W 800 series speakers. Lovely.....
Q: What was your career path? How long have you been doing this?
A: Professionally over a decade and much longer before that.
Q: How would you describe your style?
A: Alternative with one foot in the real world.
Q: Which artist would you like to work with and why?
A: I already work with artists I want to work with. I find it more inspiring to work with less moulded artists. I feel they have more to offer.
Q: Can you share one music production tip?
A: Discipline. Turning what you love into an addiction.
Q: What type of music do you usually work on?
A: Innovative music.
Q: What do you bring to a song?
A: Experience. We collectively have worked for a lot of majors and really know how to streamline a production. We also have a wealth of knowledge in engineering and years of ear training allowing us to record and mix to the highest standards.
Q: What's your typical work process?
A: Creating a detailed plan before any session and sticking to it.
Q: Tell us about your studio setup.
A: Beautiful new build studio. Panoramic sky views, comfortable but modern. Great facilities including shower, kitchen facilities, drum booth, piano.
Q: What other musicians or music production professionals inspire you?
A: The ones who get on with it.
Q: Describe the most common type of work you do for your clients.
A: Mixing, tracking and production.
Q: What's your 'promise' to your clients?
A: We will do the best job we can do and will only take on jobs we know we can do justice.
Q: What do you like most about your job?
A: People and results.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you give us a special deal? No, everyone asks us that. That's why our prices are very low for what you receive.
Q: What's the biggest misconception about what you do?
A: That anyone with a laptop can do it.
Q: What questions do you ask prospective clients?
A: We will usually ask for your timeframe, budget and general requirements. Though beyond that our questions will become project specific.
- Mixing EngineerAverage price - $250 per song
- Mastering EngineerAverage price - $70 per song
- ProducerContact for pricing
- Sound DesignContact for pricing
- RemixingContact for pricing
- Full instrumental productionContact for pricing
- Session ConversionAverage price - $30 per session
Turnaround for most projects is less than 2 weeks. We have different prices for signed and unsigned. Cash on delivery. 2 revision limit with charges for further revisions. Serious enquiries only.
- U89
- U87
- R1 Ribbon
- Pultec EQ
- 1073
- 1176
We are offering 10% off for any first time SoundBetter visitors. Quote "Sounds Better With Loma Capiro"
