I can and will write the highest quality of orchestral and cinematic music for you. You're my number one client when we work together, and I will use the same creative approach on projects that I use for my high-profile clients such as Coca-Cola, and Volvo Cars. Let me know what you’re looking for, the track length and style, and let’s get to work!
Tyler Charles Grow is a rising composer in the music industry. Tyler is known for his attention to detail and for creating realistic orchestral midi-mockups that evoke the “Cinematic Hollywood Sound” we all know and love. Tyler’s work can be heard in a variety of different award-winning short films and, most recently, new Coca-Cola advertisements that premiered in Alaskan theatres and an Emmy Nominated Breinfuel Commercial.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
11 Reviews - 1 Repeat Client
Endorse Tyler Grow- check_circleVerified
Turned out an amazing piece and kept me updated on the goings on!
Tyler’s ability to confront depth and emotion in our film was what elevated it beyond a student film. His cooperation with our vision while interjecting his own views and taste made the process both efficient and enjoyable. If you’re looking for varied performances, emotional beats, and good fun, Tyler is your man.
Tyler is not just an excellent musician, he thinks like a filmmaker by understanding how music can further emphasize the story and characters of each scene. He has incredible work ethic and is able to deliver high quality music to any project. Working with him was an absolute joy, due to his professionalism and passion for collaboration. I feel like I can recommend him to anyone with high confidence that he's the man for the job.
Tyler created a magical orchestral score for my senior short film, "Crafted." He is extremely talented and knew exactly what we needed to bring our film to life. I would highly recommend Tyler every time because his capability to take an audience on a journey, bring about any emotion, and leave a lasting impact in his work is unbelievable. He is simply the best person for the job.
Tyler worked on my thesis film. As a composer, his music is undoubtedly of high quality and satisfactory. I'm really glad to work with him,and I highly recommend him because his great work.
Orchestral masterpieces is what this guy makes plan to use him in future projects. He has that spark, a prodigy at his craft. If your looking for big musical scores that have the same tone and awe as most major motion productions look no further. Not only is he good at what he does he's passionate as well. The biggest thing when trying to make a soundtrack is to put emotion,and passion in it so the audience will feel it as well.
tyler's composing? the best! others, not good. look at crooked hillary's composing. full of lies! no meat, can't trust it, sad.
tyler 2020. talent.If you want to enter an epic musical adventure, you must contact Tyler. His music is of great quality, with a detailed orchestration and provides many emotions when you listen to his pieces. His work for media is incredible, with soundtracks that make the scene a memorable cinematic experience.
Tyler worked with me to create a beautiful orchestral score for my series. His work continues to amaze me and every new score he creates tops the last. Highly recommend his work.
Tyler is a skilled composer with talent and a passion for his craft. I had the pleasure of working with him on one of my own short films, and he went above and beyond to create the music that I envisioned. He is very responsive, has a quick return rate, and brings his knowledge and experience to the table in every way possible!
Epic music Tyler produces, very satisfied on sneak peak audio of his releases that will hook you into listening to the entire song. Amazing rhythms that would be perfect for your movies/videos. I highly recommend him for his hard work.
Interview with Tyler Grow
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I was very excited to work on a Coca-Cola commercial. I was able to produce the music for the commercial, and it turned out great! Super excited to share it with everyone soon.
Q: What are you working on at the moment?
A: I am just about to get hired for my next project, so hire me while you still can before I'm booked!
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tony Hucci! He's an amazing producer and has a lot of talent!
Q: What's your 'promise' to your clients?
A: I promise to bring you something new, exciting, unique, and powerful. It will be well worth working with me in the end, I can deliver you the QUALITY music you're looking for.
Q: What do you like most about your job?
A: The moment of realizing that this actually is starting to sound really good, and that a lot of people are going to enjoy it!
Q: What questions do customers most commonly ask you? What's your answer?
A: They ask me a lot: can we make the music sound like Hollywood? I say, yes I can.
Q: What's the biggest misconception about what you do?
A: That I only do film score, and cinematic work. I do trailer music too!
Q: What questions do you ask prospective clients?
A: What do you want the music to sound like? Do you have anyone/ or any tracks that you like to listen to? How long is the music track that you would like? (Or in other words: How long should I sit at my desk with a cup of coffee to do this thing?)
Q: What advice do you have for a customer looking to hire a provider like you?
A: Let's create music that will make everyone feel inspired. All you have to do is send me a message!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My computer, my keyboard, my headphones, my sunglasses, and a martini.
Q: What was your career path? How long have you been doing this?
A: I've been doing this since I was in my freshman year of high school. One of my teachers pointed me in the direction of it, and I haven't stopped since.
Q: How would you describe your style?
A: Epic, orchestral, intense, emotional, expressive.
Q: Which artist would you like to work with and why?
A: I'd like to work Blakus for Media. He's an amazing composer and knows how to make virtual instruments sound the most realistic, which is the competition now in the digital world of composition.
Q: Can you share one music production tip?
A: Don't work when tired. Composing music is just like anything else in the world, you can only do it for so long until you become so in-tuned with working that you become out-of tune of what the big picture is. What's the big picture? Creating music that sounds good.
Q: What type of music do you usually work on?
A: Orchestral, Cinematic, Music.
Q: What's your strongest skill?
A: Knowing when it's time to rewrite something that isn't good. I could work on hours for a track, but if I'm not satisfied with it, then I know then it isn't good. I make sure that I carefully curate a musical track that sounds good, looks good, and smells good as soon as its hot off the bounce!
Q: What do you bring to a song?
A: Anyone who knows my music knows one thing: it's intense. I like to really active the intensity and power of a song, and bring it to life, while making sure it still maintains good quality of sound.
Q: What's your typical work process?
A: I usually start with how the client wants the music to sound. After that we can go into technical details of specifically what they want. Then I wake up early the next morning with a cup of coffee and don't leave my desk until I am satisfied with the work I have done for the day. I usually like to update the client on everything, even if it is 30 seconds so that we make sure we are going in the right direction.
Q: Tell us about your studio setup.
A: I currently work with the latest iMac model, 6 core, 32GM ram. I own virtual instruments from Spitfire, Musical Sampling, East West, and Native Instruments. I mix with two of my favorite Yamaha studio monitors, and work in Logic Pro X.
Q: What other musicians or music production professionals inspire you?
A: Some other musicians that inspire me are: Hans Zimmer, Lorne Balfe, Thomas Bergersen, John Powell, James Howard Shore, and more.
Q: Describe the most common type of work you do for your clients.
A: I do cinematic orchestral compositions that are "EPIC" in genre. I have carefully selected only the best orchestral instruments to compose with, and carefully craft the music for my clients to be Hollywood-Tier.
- Film ComposerAverage price - $50 per minute
- Composer OrchestralAverage price - $100 per song
- Full instrumental productionAverage price - $100 per song
- Sound DesignAverage price - $50 per minute
- PianoAverage price - $50 per song
- Mixing EngineerAverage price - $75 per song
- 1 revision for the entire song is $50 each.
- Turn around time: 1 minute of music would be up to 1.5 weeks of work until completion.
- Additional costs: Contact me
- Hans Zimmer
- John Powell
- John Williams
- Yamaha HS5
- Spitfire Audio
- East West Quantom Leap
- Orchestral Tools
- Musical Sampling
- Native Instruments
- AVA & ESE Trailer SFX
- Behringer POLY D Synthesizer
Follow me on social media and receive up to $50 off for your order!