Reuben Cohen

World Class Mastering Service

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66 Reviews (53 Verified)
Reuben Cohen on SoundBetter

Reuben Cohen is an award-winning mastering engineer, winning a Latin Grammy for his work on Diego Torres' album “Distinto," and a TEC Award for his work on the single, "Happy," by Pharrell Williams.

He has worked with many notable and award-winning artists including Metallica, Pharrell Williams, Incubus, Edward Sharpe & The Magnetic Zeros, Bruno Mars, India.Arie, Kid Cudi, Sean Kingston, Skylar Grey, and Far East Movement. Soundtracks include, Game Of Thrones, All Is Lost, Slumdog Millionaire, Pitch Perfect 1 and 2, Ride Along 1 and 2, Despicable Me 1 and 2, and Minions, to name just a few.

Reuben has that special talent essential to success in the mastering field – the ability to understand the artist’s creative concepts. It is the natural skill of a true musician’s engineer. He goes to great lengths to achieve the vision of the artist.

Contact me through the green button above and let's get to work.

Credits

AllMusic verified credits for Reuben Cohen
  • Tove Lo
  • Ludwig Göransson
  • Curtis Salgado
  • Justin Paul
  • Sam Smith
  • Benj Pasek
  • Ben Platt
  • SZA
  • Justin Paul
  • Sam Smith
  • Benj Pasek
  • Ben Platt
  • SZA
  • Joseph Williams
  • Jackson Browne
  • Ledisi
  • Steve Lukather
  • Wild Up
  • Lord Huron
  • Lord Huron
  • Benjamin Wallfisch
  • Carrie Underwood
  • Ben Platt
  • Dan + Shay
  • Nick Waterhouse
  • Ledisi
  • Ledisi
  • U-Roy
  • U-Roy
  • Tainy
  • Ledisi
  • Marvin Sapp
  • Julian Wachner
  • Novus NY
  • Choir of Trinity Wall Street
  • Nick Waterhouse
  • Lisa Hilton
  • Phantom Blues Band
  • Ludwig Göransson
  • Ledisi
  • Ledisi
  • Ledisi
  • Ledisi
  • Lisa Hilton
  • Nick Schnebelen
  • Ramin Djawadi
  • Diane Coffee
  • Moonchild
  • Chris "Bad News" Barnes
  • Nick Waterhouse
  • Rob Laufer
  • ORF Vienna Radio Symphony Orchestra
  • Martin Gellner
  • Eleni Mandell
  • Toto
  • Ramin Djawadi
  • Rolfe Kent
  • Volbeat
  • Henry Jackman
  • Henry Jackman
  • Henry Jackman
  • Curtis Salgado
  • Alan Hager
  • Derek Smalls
  • Ramin Djawadi
  • Alan Menken
  • Marvin Sapp
  • Leela James
  • Joe Olnick
  • Lisa Hilton
  • The Sneetches
  • Coco Montoya
  • Dhani Harrison
  • Leslie Mendelson
  • Lo Carmen
  • John Beasley
  • Jeremy Buck
  • Ozomatli
  • Ryan Adams
  • Louden Swain
  • Mercy River
  • Chris Price
  • Betty Buckley
  • Cindy Lee Berryhill
  • Mark Mothersbaugh
  • Robert Lamm
  • Boyz II Men
  • Queens of the Stone Age
  • Stanton Moore
  • Rupert Gregson-Williams
  • Mili
  • Frank Zappa
  • Deb Ryder
  • Lissie
  • Nellie Pearl
  • Hilary Weeks
  • East of Venus
  • John Beasley
  • Christopher Lennertz
  • Lissie
  • Iggy Pop
  • Velvet Crush
  • Emitt Rhodes
  • clipping.
  • Reckless Kelly
  • Curtis Salgado
  • Ramin Djawadi
  • William Bell
  • Henry Jackman
  • Ramin Djawadi
  • Ramin Djawadi
  • Sean Watkins
  • Annika Chambers
  • Summer Moon
  • Unchain
  • Iyaz
  • Joel Rafael
  • India.Arie
  • Joe Sample
  • Continental Drifters
  • Dave Stringer
  • Donna De Lory
  • Joni Allen
  • Fool's Gold
  • Kazuma Jinnouchi
  • Peter Case
  • Mindi Abair
  • Mindi Abair and the Boneshakers
  • John Paesano
  • Heitor Pereira
  • Kurt Cobain
  • Art Pepper
  • Henry Jackman
  • Pugwash
  • Translator
  • Reina del Cid
  • P.O.D.
  • Punch Brothers
  • Dweezil Zappa
  • Watkins Family Hour
  • Billy Walton
  • Billy Walton Band
  • Alex Ebert
  • Sean Watkins
  • Roger Taylor
  • Billy Vera
  • Billy Vera
  • Henry Jackman
  • Billy Thermal
  • Ramin Djawadi
  • Eager Seas
  • Dave Mason
  • Crash
  • Bobby Patterson
  • The Shoe
  • Bangles
  • Dave Van Ronk
  • Harry Dean Stanton
  • Ben Ottewell
  • Christopher Lennertz
  • Steve Wynn
  • Bruce Hornsby
  • Foo Fighters
  • Sweet Little Bloodhound
  • George Harrison
  • Hank Williams
  • Scruffy the Cat
  • Rosanne Cash
  • Alex Ebert
  • Trampled Under Foot
  • Keaton Simons
  • Boardwalk
  • Buck Owens
  • Ruthann Friedman
  • Pharrell Williams
  • Heitor Pereira
  • Old Man Markley
  • Edward Sharpe & the Magnetic Zeros
  • Lisa Hilton
  • Stephen King
  • John Mellencamp
  • T-Bone Burnett
  • Dido
  • Gene Clark
  • Buck Owens
  • Lucky Diaz & the Family Jam Band
  • Dave Stringer
  • Waylon Jennings
  • Old 97's
  • Jellyfish
  • Don Rich
  • Sam Alon
  • Townes Van Zandt
  • Nashville Cast
  • Wanda Jackson
  • Merle Haggard
  • George Jones
  • Everlast
  • Carrie Underwood
  • The Jealous Sound
  • Betty Buckley
  • Kingsize
  • Joel Rafael
  • The Dunwells
  • The Dunwells
  • Ahmad Jamal
  • Soles of Passion
  • Michael Des Barres
  • Waldemar Bastos
  • Crosby, Stills & Nash
  • Mark Eitzel
  • The McEuen Sessions
  • The Knack
  • Edward Sharpe & the Magnetic Zeros
  • Brendan James
  • Incubus
  • Greg Holden
  • Jellyfish
  • Art Pepper
  • Art Pepper
  • nelo
  • Steve Forbert
  • Ernie Kovacs
  • The Knack
  • Little Feat
  • Jellyfish
  • JJAMZ
  • Edie Adams
  • Big Head Blues Club
  • John Gold
  • The Motels
  • Shelby Earl
  • Michael Giacchino
  • Nailah Porter
  • Candy Dulfer
  • Disney
  • Old Man Markley
  • Steve Earle
  • Jeff Bridges
  • James Tormé
  • Ponderosa
  • Nick 13
  • Tyrese
  • Jake Shimabukuro
  • Los Lonely Boys
  • Neon Line
  • Ben Ottewell
  • Keiko Matsui
  • A.R. Rahman
  • Steve Lukather
  • Fistful of Mercy
  • Betty Buckley
  • The Cranberries
  • Dan Hicks & His Hot Licks
  • Dan Hicks
  • Dan Hicks & His Hot Licks
  • Dan Hicks
  • Roy Jay
  • Common
  • Dave Stringer
  • Susan Cowsill
  • Marc Cohn
  • Ed Harcourt
  • Mini Mansions
  • Alex Boyé
  • Sahara Smith
  • Lisa Hilton
  • The Rocket Summer
  • John Mellencamp
  • Sergio Mendes & Brasil '66
  • Something Corporate
  • Alan Menken
  • Glenn Slater
  • DMX
  • Nina Ferraro
  • Charlie Musselwhite
  • Matt Morris
  • Bob Marley & the Wailers
  • Bob Marley
  • Spinal Tap
  • Spinal Tap
  • Phish
  • Andrée Belle
  • Estes Shane Whalen
  • Interpol
  • TV Eyes
  • Camper Van Beethoven
  • The Knack
  • The Knack
  • New Found Glory
  • The Knack
  • The Muffs
  • Insane Clown Posse
  • Old 97's
  • The Muffs
  • The Dream Syndicate
  • Old 97's
  • Sam Phillips
  • Lenny Kravitz
  • Jellyfish
  • The Muffs
  • Metallica
  • Jellyfish
  • Trip Shakespeare
  • Game Theory
  • Game Theory
  • Metallica
  • Game Theory
  • The Rave-Ups
  • Game Theory
  • Carla Olson
  • The Textones
  • Roger Taylor
  • Game Theory
  • Bert Jansch
  • The Dream Syndicate
  • Roger Taylor
  • Richard Thompson
  • The Kingbees
  • The Kingbees
  • Ian Matthews
  • Jackson Browne
  • Leon Russell
  • Alan Price
  • Sandra Rhodes
  • Buck Owens
  • Arthur Alexander
  • Townes Van Zandt
  • Geoff & Maria Muldaur
  • Townes Van Zandt
  • John Lennon
  • John Lennon
  • Les McCann
  • Don Rich
  • The Buckaroos
  • Ron Nagle
  • Maria Muldaur
  • Geoff Muldaur
  • Geoff & Maria Muldaur
  • Carl Hall
  • The Buckaroos
  • 5 Billion in Diamonds
  • The Lower Lights
  • Kevin Thomas Band
  • Pugwash
  • Guy Van Duser
  • Renforshort
  • Los Cenzontles
  • Lyman Family
  • Lisa Kindred
  • Kay-Ta
  • Flaviyake
  • Rulo y la Contrabanda
  • Roger Jaeger
  • Lisa Biales
  • Bruno Mars
  • Travie McCoy
  • Rick Frystak
  • Theodore Shapiro
  • Michael J. Thomas
  • Copper Monks
  • Jessica Fichot
  • Eleanor Kingston
  • Lauren Mitchell
  • The Vibrant Sound
  • Border Radio
  • The Jacks
  • Ashba
  • The Revelries
  • Deb Ryder
  • The Honey Trees
  • India.Arie
  • Corry Hanna
  • Laurie Morvan
  • Brandon Flowers
  • Wayne Coyne
  • Dhani Harrison
  • Britt Daniel
  • Weird Al Yankovic
  • Jonathan Bates
  • Cyndi Harvell
  • Cata9tales
  • Lord Huron
  • Christopher Lennertz
  • Joe Olnick
  • Swae Lee
  • Krishan
  • 21 Savage
  • Aleya Dao
  • Lord Huron
  • Larissa Lam
  • Un Rodo Cora
  • Scott Wiley
  • The Attire
  • Greg Felden
  • John Calvin
  • Lord Huron
  • Bob Malone
  • Kevin Dooley
  • Dhani Harrison
  • Shari Puorto
  • Marina V
  • Sebastian Campos
  • Izzy Spring
  • Lord Huron
  • Christopher Tin
  • Sunny Ozell
  • Marc Cohn
  • Hardhaus
  • Jim Williams
  • Geeta Novotny
  • Christopher Lennertz
  • Apeyga
  • Jai Uttal
  • Onechot
  • U-Roy
  • André Thierry
  • Los Cenzontles
  • Ben Platt
  • Nik Dodani
  • Colton Ryan
  • The Lower Lights
  • Ambassadors of Morning
  • Albert Castiglia
  • The Attire
  • Filmore
  • U-Roy
  • Penny & Sparrow
  • Fernando Huergo
  • Juliet Lyons
  • Black Jake & the Carnies
  • Deb Callahan
  • India.Arie
  • SZA
  • Amandla Stenberg
  • Estes Shane Whalen
  • 3Antra
  • Kip Boardman
  • Randy Edelman
  • Nathan Barr
  • Juliet Lyons
  • Jason Robert Brown
  • Lily Meola
  • Rulo y la Contrabanda
  • Afro Peruvian Jazz Orchestra
  • Mikey Junior
  • Grace Kelly
  • Jussi Reijonen
  • Alfred James Band
  • Charlie Wadhams
  • Ben Platt
  • Jessica Rothe
  • Lila Nelson
  • Lake Hills Church
  • Charley & Jesi
  • Vanessa Peters
  • Grant Langston

66 Reviews - 16 Repeat Clients

Endorse Reuben Cohen
  1. Review by Simon Abela
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    The most professional and quality mastering engineer ive worked with.
    Reuben was fast and precise, he listened perfectly and understood what I wanted out of my revision. Extremely happy with the service.

  2. Review by Jack C.
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    Great masters, quick turnaround, and amazing communication! Definitely worth the investment.

  3. Review by Dscyth3r
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    Reuben did a great job giving life and balance to the mix, highly recommend!

  4. Review by Rish
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    by Rish
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    Amazing Master as always. Always a pleasure working with Reuben and his team!

  5. Review by Jaymes W.
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    Reuben did a fantastic job with mastering my track. His track record speaks for itself - and he is a pleasure to work with. I was blown away by his patience, flexibility and care throughout the entire process. He did everything to ensure that I was happy with the quality of the master and I'm very grateful for the level of service he offered. I would highly recommend him…worldclass results!

  6. Review by Max
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    Reuben is the ace engineer on sound better, the absolute best. Bring him a solid mix and it comes out gold.

  7. Review by Giorgio M.
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    I am completely satisfied with Reuben. He brought my mix to an upper level without changing it, not one bit.
    I always think it is so difficult to find great professionals in this field, especially when we talk about Sound Engineers, but I can say Reuben is really a master.
    I really hope I will work with him often in the future.

  8. Review by Max
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    Reuben is my favorite mastering engineer, best on this site!

  9. Review by Max
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    by Max
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    Reuben is badass, would highly recommend.

  10. Review by Daniel M.
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    Reuben provided a final master that provided increased clarity, punch, and musicality to my song. He took it to the next level, which is what I always hope for in a master. Incredible job to the Lurssen Mastering team!

  11. Review by eyram A.
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    Great job

  12. Review by eyram A.
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    good team, great work

  13. Review by Ohyah.
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    by Ohyah.
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    Fantastic sounding masters with a quick turn around- reccomend for anybody with a decebt budget looking to get that extra 5%!

  14. Review by David U.
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    Another superb experience! Song finally feels finished. Cannot wait to work with Reuben and his team again!

  15. Review by David U.
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    Reuben added special final touch to our song. Now I can finally say that the song is finished. The whole communication process was clear and smooth. Amazing work! Can't wait to work with Reuben and his team again.

  16. Review by Matt B.
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    It was such a pleasure working with Reuben and I am so happy with the result! I cannot wait to work with Reuben and his team again.

  17. Review by ANDRE SWISH
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    Reuben did an awesome job with my song. He really brought the track to life and made the mix sound better. Will definitely work again with Reuben!!

  18. Review by Carly S.
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    It was wonderful working with Reuben and the Lurssen team. I needed my track to sound more polished and professional and Reuben knew exactly how to take it there. Definitely will work with him on future tracks! :)

  19. Review by Phil R.
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    I have been running a studio and mastering songs for more than a decade and recently when I had to master my own song I wanted it to be mastered by someone else with a bar set pretty high. Reuben knew exactly what I was looking for. He caught the spirit of the song and even pushed it up a notch. The attention to detail is impressive;
    I have had 2 songs mastered by him and look forward to sending more songs his way.

  20. Review by Frea F.
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    Very very professional!!! Thank you so much, guys!

Interview with Reuben Cohen

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: It’s hard to name just one. But I recently remastered Metallica’s ‘…And Justice For All’ which is an album a grew up with. It’s also an album which was heavily criticized originally for lacking bass. For that reason, there was a lot of anticipation for the remastering. I was happy to learn it’s been widely well received and even got a writeup in Billboard celebrating the Mastering. I was happy to give the fans and band what they wanted. Also, Pharrell William’s “Happy”. Because it made the world happy and continues to make people dance everyday.

  3. Q: What are you working on at the moment?

  4. A: Developing an amazing new Mastering Plugin!

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: Yes, my good friend Matt Linesch is on the site, as well as Dave Way. My partner Gavin Lurssen is also available for Mastering. He is the engineer who trained me not only to master music, but also how to provide the service.

  7. Q: Analog or digital and why?

  8. A: I’d like to draw the yin-yang symbol here… It’s a combination and synergy of both worlds. My heart is in the analog domaine, and it’s how I process audio everyday. The world listens to music digitally, so it’s about capturing the integrity of the analog processing in the digital world. Even if I work strictly digital (which is very rare and usually only for immersive formats) all my processing is modeled after analog technology, like our LMC plugin.

  9. Q: What's your 'promise' to your clients?

  10. A: That they will get my very best, not matter the circumstance. I have always given that and will always continue to. It’s the only way I ever want to work.

  11. Q: What do you like most about your job?

  12. A: Having the ability to work on music everyday and make people smile. When my clients are happy, it makes me happy. When the fans connect with the music and therefor connect with the artist, it’s all very rewarding. I love working with my small team everyday and providing the best service possible.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: How did you do that? To which I respond, “I don’t really know, I just felt it”. It’s the same as any art, in many ways it’s unexplainable. But I can break it down on a technical level and dissect what I’ve done, but that’s not really what the answer is. It’s how I’ve come to that place that is the key, and it has to do with experience and understanding musical feel.

  15. Q: What's the biggest misconception about what you do?

  16. A: That mastering is a corrective process only. In other words, if your mix is perfect, why master it? Mastering is much more than correcting balances. It’s a process that can bring things to life that the producer or engineer did not think possible. It’s also a process where vibe, texture, and further connectivity can be achieved. This is what I love about the process. Lastly, there is great value in hiring someone with objectivity. When someone sends me a mix, it’s the first time I’ve heard it. I’m not attached to the work beyond where I can take it. It allows me to give it my first instinct with is always a good thing.

  17. Q: What questions do you ask prospective clients?

  18. A: Are you happy with your mix?  If not, what are you not happy with?

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: I would suggest that they hire someone that can give them what they are truly looking for. Mastering is a subtle art that takes many years to truly understand. Anyone has the tools to master a mix now and there are many people attempting to provide the service. However, when you hire a specialist that only does one thing, you’re getting all those years of dedicated practice. It’s the equivalent to hiring a doctor to take care of a cavity, but you really need a dentist with years, and preferably many many years of experience.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: A great pair of monitors… I’m a big fan of ATCs and have been using them my entire career. I would try to take one of our analog consoles, but if that couldn’t fit, a computer with my go-to plugins would do the trick. Beyond that I would need to build myself a studio… so I would probably take a saw blade and an endless supply of duct tape. …Oh, and I bunch of lighters so I could keep myself warm.. Unless it was a tropical island, in which case I’d be happy sleeping on the warm sand. ...wait… how would I power the gear?? I better give this one more thought…

  23. Q: What was your career path? How long have you been doing this?

  24. A: I started Mastering professionally in 2005. I began as a runner at The Mastering Lab in Hollywood CA. I met Gavin Lurssen and he agreed to mentor me. Not long after, we began Lurssen Mastering and have been servicing the audio community ever since. Mastering music is my everyday practice and discipline. I also have developed technical solutions for Mastering in Dolby ATMOS and have shared these techniques with the world via AES (the Audio Engineering Society). I have helped develop IK Multimedia’s Mastering Software, Lurssen Mastering Console and continue to design and develop audio plugins to this day.

  25. Q: How would you describe your style?

  26. A: Full of life, impact, energy, emotional, warm, analog connection. The song should sing through the console. When it’s singing, it’s ready to print.

  27. Q: Which artist would you like to work with and why?

  28. A: Mozart. Because I would be fascinated by his brilliance and continuously curious.

  29. Q: Can you share one music production tip?

  30. A: Use your heart, not your head. The head gets in the way, the heart always knows.

  31. Q: What type of music do you usually work on?

  32. A: Everyday is different. I’m well versed in all genres of music because everything out there has come through our studio. I’ve mastered thousands of albums over the years and know how to get the most out of any type of arrangement or style. I’ve also been able to help shape standards in all genres, ranging from heavy rock bands and hard hitting hiphop, to delicate orchestral scores and signer-songwriter arrangements.

  33. Q: What do you bring to a song?

  34. A: Connection. Sometimes a small amount of processing is all that is required to achieve that connection, and sometimes it’s a lot. It doesn’t matter. What matters is that the feel is captured and the music has ultimate connection to the listener. It also needs to sound like I was never there doing it. The listener must be unaware of my process so that the connection can be fluid.

  35. Q: What other musicians or music production professionals inspire you?

  36. A: I’ve had the honor of privilege of being surrounded by our industry’s most experienced and accomplished producers and engineers. I’ve been immersed and have truly grown up in this environment since I was a teenager, and the experiences I have had continue to inspire and shape how I approach my profession. Now well into my 30s, I’ve been part of a world class mastering team since the beginning. The team at our studio inspires me to lead by example, and I also learn more and more everyday from everyone I interact with.

  37. Q: Describe the most common type of work you do for your clients.

  38. A: Mastering is the service that we offer and we offer the same quality of service to anyone and everyone who chooses to work with us. There are many options out there, and we take pride in the fact that our clients continue to trust us with their work. We master singles, EPs, albums, soundtracks and also offer the service of Mastering in surround formats such as 5.1 and Dolby ATMOS. We have a deep understanding of the marketplace and how the finished results will be experienced by the masses in all formats and platforms.

  39. Q: What's your strongest skill?

  40. A: Connecting to the music and connecting to the music maker.

  41. Q: What's your typical work process?

  42. A: I begin my listening to the mix and connect with the vibe. Vibe is something that is felt more than heard. It’s also difficult to describe in words. In the world of Mastering, I can recognize vibe and enhance it. I can make compressors dance and create movement when desired. I can bring music to life through texture and feel. I project all of this in my mind’s eye before reaching for anything. Once I have an idea of where I feel I can take something, I take it there rather quickly. If it doesn’t work, I pick a new path and start over. The process itself informs the path along the way. Usually this all happens with little effort, which is always the desire. When something happens naturally, the results are fluid and musical, which enhances the connection between the artist and the listener.

  43. Q: Tell us about your studio setup.

  44. A: We have two custom analog console, which were designed by Gavin Lurssen and inspired by Doug Sax technology. I often say that I am standing on the shoulders of giants. My path in audio began based on what they had already discovered. So much of my work is based on the trial and error technology that dates back to the 1960s. Decades of refinement has gone into the way I was trained, as well as my own contributions to how we process audio to meet current competitive standards. We combine analog and digital technology. We use Benchmark D/A and A/D converters. Tube and solid-state EQs and compressors. High-frequency limiters, and digital limiters to shape the sound. We clock externally with Antelope clocks. We pretty much have every digital plugin under the sun at our disposal. I also like to use AI multi-band tools like Gullfoss when it calls for it. But generally, the majority of the processing is done in the analog domain unless I feel that I need to lean more digital.

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Pharrell Williams - Happy

I was the Mastering Engineer in this production


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    Pharrell Williams - Happy
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GenresSounds Like
  • Metallica
  • Pharrell Williams
  • Bruno Mars
Gear Highlights
  • Custom Built Analog Console
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