The sensitive combination of music, visual and emotion open for me the doors into the delicate world of media composition. Coming to serve a higher audience experience and to embrace the viewer with the film's emotional journey.
As a composer, I've scored short films and dance projects, composed for orchestras and small ensembles. In addition to the fully written score, I collaborate in a free improv environment, as well as ITB composition.
My classical compositions have been performed and recorded by 'The Raanana Symphonette Orchestra' 'The Israel Netanya Kibbutz Orchestra', 'Maple Rose Strings, and more. I have been involved with the electronic music composer Holly Smith in her project CODED Dystopia, an immersive live improvisation project which performed around London. Collaboration with the Israeli choreographer and dancer Tal Garmiza, and our project "Touch Sensitivity" performed at the DDD festival in “Suzanne Dellal - Center for Dance and Theater” - a piece which combined dancing, video, lyrics and music.
In addition to my work as a composer, I work as a sound technician and producer, and own "Beta Studio".
As Beta Studio, I've produced, recorded, mixed and mastered multiple projects.
Contact me through the green button above and let's get to work.
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Interview with Roee Bet - Composer
Q: Tell us about your studio setup.
A: RME UCX Outboard: AMS Neve 1073 DPA, SSL, Alpha VHD, Focusrite ISA One X 2, Telefunken V372 Stereo, Focusrite Octopre mkii, G Buss Compressor. Pro Tools 2020, Fabfilter Total Bundle, Waves Plugins , Native Instrument Komplete, Celemony Melodyne, Sonnox Plugins. Microphones Neumann TLM 193, Neumann KM 184 X 2, Shure SM81 X 2, Shure Beta57 X 2, Shure SM57 X 2, Shure SM58 X 2, Shure SM7B, AKG SE300b with CK 91 Capsule X 3, Electro-Voice RE20, Sennheiser e902, Prodipe LSP.
Q: Describe the most common type of work you do for your clients.
A: Film scoring, and sound design. Mix and master Included.