Resonant Audioworks on SoundBetter

🎧 Transforming raw tracks into polished releases. Mixing engineer, producer, and guitar educator helping artists craft authentic sounds and build confident skills.

I’m Nick Brown, founder of Resonant Audioworks, dedicated to helping artists achieve their creative vision through professional mixing, production, and guitar education. With years of experience in rock, acoustic, metal, and cinematic genres, I ensure every project receives detailed attention for clarity, balance, and emotional impact.

As an educator, I empower students with practical skills and industry insight to fast-track their playing and creative confidence. Whether you’re seeking a powerful mix for release or looking to refine your guitar technique, I offer a collaborative and tailored approach to help you achieve your goals.

Let’s create something meaningful together.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

3 Reviews

Endorse Resonant Audioworks

by Orion Patrol
It’s been great to work with him. Super fast and super effective. He got my mix to sounding from nothing to epic 🙌🏼 Always asking if the master needed anything to sound better and taking into consideration my preferences when tweaking the sound. A must try indeed
by BM_Animation
Il suo lavoro è fantastico, sa dove aiutarti con la sua creatività ed ha creato un Remix di una OST in stile anime, superbo lavoro, vi consiglio vivamente di lavorare con lui.

È un bravo lavoratore.
by Michael Kent
Nick wrote the theme music for my horror podcast Toxic Schlock, and he was fantastic to work with. After giving him my basic concept vision of what I had in mind, he quickly sent me several rough drafts of themes to see if any of them were in the mold of what I had in mind. In less than a week, he had created a dynamic and creative theme for my show that greatly surpassed my expectations. He was communicative, creative, and very easy to work with. I couldn't recommend a musical collaborator more.

Interview with Resonant Audioworks

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I am especially proud of my work with Michael Kent at Toxic Schlock as it was a team effort and in the end, both of us were happy with the final product. Not to mention, it was a very easy and almost seamless project.
Q: What are you working on at the moment?
A: A song I wrote over ten years ago needs to be composed in a final version.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Matt Bellmore and I wouldn't hesitate to refer clients his way.
Q: Analog or digital and why?
A: Analog because it is loud, warm, and dynamic.
Q: What's your 'promise' to your clients?
A: I will always do my best and I only want to satisfy your goal.
Q: What do you like most about your job?
A: I love sharing music with people and creating intangible art
Q: What questions do customers most commonly ask you? What's your answer?
A: Do you know or are familiar with (insert artist)? yes or no Can you add special sound effects? absolutely. what were ya thinking?
Q: What's the biggest misconception about what you do?
A: I play music all day
Q: What questions do you ask prospective clients?
A: Where do you draw inspiration for this project? What mood are you feeling? How and where is the project being released?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be confident but also open-minded.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook, audio interface, op-1, agile p90 gold top, and minilogue xd.
Q: What was your career path? How long have you been doing this?
A: I have been freelancing for one year but I hope to be involved in more cinematic projects than strictly original music moving forward.
Q: How would you describe your style?
A: Ambient, rhythmic, loud, and atmospheric.
Q: Which artist would you like to work with and why?
A: Harmony Korine because his art has impacted me so much that I would be compelled to immerse myself in the project.
Q: Can you share one music production tip?
A: Don't allow yourself to get overwhelmed.
Q: What type of music do you usually work on?
A: Electronic
Q: What's your strongest skill?
A: Composition and general songwriting
Q: What do you bring to a song?
A: I like to think I have distinct yet versatile flavors. This ensures a fluid process and capacity for composition. My background in writing for multiple styles of music allows for creativity and diversity in sound.
Q: What's your typical work process?
A: I prefer to either begin on a beat pattern or a sound pattern that reflects the desired mood. From there, I like to provide options for the direction I can pursue the production with different sound elements and styles.
Q: Tell us about your studio setup.
A: Small but efficient. Isolated work area dedicated to production and composition. Guitars, bass, tube amps, effect pedals, and analog synth engines.
Q: What other musicians or music production professionals inspire you?
A: Cliff Martinez, Clint Mansell, Oneohtrix Point Never, Hans Zimmer, Thomas Newman, and Mark Ronson.
Q: Describe the most common type of work you do for your clients.
A: Theme music for podcasts (Toxic Schlock and Gleam in the Tube).

Toxic Schlock Theme

I was the producer in this production

Mixing EngineerAverage price - $200 per song
EditingAverage price - $40 per track
Mastering EngineerAverage price - $70 per song
Podcast Editing & MasteringContact for pricing

Typical turnaround time: 3-5 days, depending on the project scope. Includes up to 3 revisions additional edits billed at negotiated rates. Files delivered in WAV & MP3 upon final approval.