Film composer, orchestral composer, arranger, music producer
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Interview with Jury Shevalin
Q: Analog or digital and why?
A: One great idea is more important than “analog vs. digital” dispute. If you have something to say, it doesn't matter how you say it.
Q: What's your 'promise' to your clients?
A: Fast, high quality and pleasant cooperation.
Q: What questions do customers most commonly ask you? What's your answer?
A: The most popular question: Are you mix engineer? Do you mix your work? Answer: No and yes. I'm not sound engineer but I can mix great "draft version" for you. Sometimes my clients like it and use my mix in final production.
Q: What was your career path? How long have you been doing this?
A: I write music more than 20 yrs. Completely finished 15 movies, a lot of songs. Also I played in rock bands and toured the world.
Q: What's your strongest skill?
A: Virtual orchestration, playing piano, arrangement.
Q: What's your typical work process?
A: Music for the Movies (typical): The work begins with your film with the final cut. There may be reference music here, but not necessarily. Just tell me what you need from music. Then I start working on a demo of one of the scenes and show you all the stages of composition. You control it and together we are moving towards the end! Note: Finally you receive full tracking ready for mixing and my own mix which you can use as demo for sound engineer or straight in your movie.
Q: Tell us about your studio setup.
A: DAW: Cubase 10.5, Logic. Virtual Orchestration: EW Hollywood Orchestra, VSL, Spitfire, Orchestral Tools SFX and Instruments: Soma Lab, Virus TI, Clavia
Q: Describe the most common type of work you do for your clients.
A: Recently I've been working on music for films and short films. Sometimes I do song arrangements, playback arrangements for bands (including producing, composing Intro and Outro for live performances).