I am a sound artist and performing artist specializing in field recordings and spatial sound, mainly for soundtracks and sound installations, as well as site-specific fine-art installations. I have exhibited and performed in Israel, the UK, Germany, Portugal, and Malawi, amongst other places.
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Interview with Guy Fleisher
Q: Analog or digital and why?
A: both! whatever fits the environment in which I am creating.
Q: What's your 'promise' to your clients?
A: cooperation, confidence and open mindness.
Q: What questions do you ask prospective clients?
A: budgetary concerns, artistic intention and speculations on the piece.
Q: What was your career path? How long have you been doing this?
A: I started studying drums at the age of 9. I studied for a diploma in a dual course for studio production and performance in 2012. I graduated with a Bachelor's in jazz performance on drums and piano from the Jerusalem Academy of Music and Dance in 2015. I graduated (with distinction) with a Master's in Sonic Arts from Goldsmith's, University of London in 2018. I have been travelling and perfecting my interest in environmental sound and sound perservation since. All in all, I have been professionally involved in musicking for the past 20 years.
Q: Can you share one music production tip?
A: listen intently and intensely.
Q: What type of music do you usually work on?
A: I usually work on ambient music, as well as environmental composition.
Q: What's your strongest skill?
A: My strongest skill is my multi-disciplinary approach, informed by both sound arts as well as visual arts.
Q: What do you bring to a song?
A: I bring a different process, which mainly includes spatial mixing and surround sound. I also work with a lot of environmental sound samples, which bring a natural feeling, and add a touch of nature.
Q: What other musicians or music production professionals inspire you?
A: I am influenced by nature and the turning of the seasons. I also like Ryoji Ikeda a lot and classical northern indian music.
Q: Describe the most common type of work you do for your clients.
A: I work with artists, as well as gallery spaces, to produce high-end fine-art exhibitions and sound design for various art projects.
- Sound DesignAverage price - $75 per minute
- Mixing EngineerAverage price - $100 per song
- EditingAverage price - $30 per track
- Programmed drumAverage price - $70 per song
- Beat MakerAverage price - $50 per song
- Podcast Editing & MasteringAverage price - $100 per podcast
Usually first revision is included in the price, up to 3rd revision for 1/2 of the price.
- Soundman Binaural Microphone
- Blue Bird condenser