Fidelfo Lozano III

Analog Mixing & Mastering

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Fidelfo Lozano III on SoundBetter

Mixing and mastering engineer with lots of top rock, pop and electronic artists.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

1 Reviews

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  1. Review by Bruno Caro
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    check_circleVerified (Client)

    Fidelfo is a very nice and professional person to work with! Hope we can do it again. Had a great time :)

Interview with Fidelfo Lozano III

  1. Q: What's your typical work process?

  2. A: Today's mixes require more than just precision, good workflow and a clear sonic picture. In the digital age, more and more producers are opting for analog mixes with qualities that can't be easily achieved "in the box". Physicality, coherence, warmth, vitality - these are terms used to describe a sound picture that is achieved through analog summing and analog outboard gear, where the music - and not its artifacts - remains in the foreground. It should also be mentioned that good analog mixes can be made even louder during mastering without ruining the sound. A mix consists of the following components: analog summing on a high-end console with +28 dB headroom, first class outboard gear by API, Chandler Limited, Manley, Pendulum and Urei (see equipment list), reverb processors by Quantec and Lexicon, the best plug-ins.

  3. Q: Analog or digital and why?

  4. A: In the Analog world physicality, coherence, warmth, vitality - these are terms used to describe a sound picture that is achieved through analog summing and analog outboard gear, where the music - and not its artifacts - remains in the foreground. It should also be mentioned that good analog mixes can be made even louder during mastering without ruining the sound.

  5. Q: What type of music do you usually work on?

  6. A: Rock, Electronic, EDM, Pop & R&B

  7. Q: Tell us about your studio setup.

  8. A: Pure Analog Mastering Years of research and experience have led us to a create a new and utterly musical analog mastering process, which we call Pure Analog. The signal path is “all discrete” and mostly semiconductorless. That´s how we achieve a full and specific acoustic pattern, comparable to the immediate fascination of good vinyl sound - a focused and effortless listening experience.

  9. Q: Describe the most common type of work you do for your clients.

  10. A: Analog & Digital Mixing, Stem Mastering & Mastering.

Gear Highlights
  • Lavry Gold AD 122 MK & DA 924 FAIRMAN Tube Eq & Tube Master Comp Manley Vari-Mu Maselec MPA-2 API550a Chandler Curve Bender Chandler TG Channel MKII Chandler Germanium Preamp TeletronixLA-2A Universal AudioLA-3A API2500BusCompressor API 525
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