Two time Grammy nominated, Juno winning, gold and platinum selling mixer / producer / engineer / song finisher. Specializing in mixing and full production, taking a raw song idea at various stages of completion and producing a fully finished, world class recording.
I’m a 35 year music production / engineering / mixing veteran with 2 Grammy nominated albums, multiple gold and platinum selling albums, a #3 Billboard charting album, (Neko Case - Middle Cyclone) Juno award (New Pornographers) , Juno nomination for Engineer of Year , ASCAP pop music award, and Canadian Songwriters Hall of Fame Award.
I specialize in Americana, Indie Rock, Alternative Pop, Alt Country, Electronic and Folktronica. My credits include: Neko Case, The Weather Station, Blue Rodeo, Sarah McLachlan, the New Pornographers, Jill Barber, 54/40, Scott Helman, Lindi Ortega…
WHAT I DO FOR YOU:
Every project is unique and I live to help manifest an artists vision and dreams by working closely with you at navigating through the left and right brain madness that occurs throughout the creative process.
I not only have the proven technical abilities to create world class recordings and mixes, I have the experience to identify what is needed and know when to step in and when to leave things alone and allow the art to flourish. I am particularly attracted to art that pushes boundaries and defies genres. The goal is an emotionally impactful combination of waveforms pumping from a set of speakers that leaves a lasting effect on the listener.
From helping finish a song to the final mix, I want to be with you on whatever stages you require on your artistic journey.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
AllMusic verified credits for Darryl Neudorf- Elliott Brood
- Elliott Brood
- The Weather Station
- The Weather Station
- The Weather Station
- The Weather Station
- The Weather Station
- Marc Enfroy
- Modern Space
- The Grapes of Wrath
- The Grapes of Wrath
- The Grapes of Wrath
- The Grapes of Wrath
- Neko Case
- Lindi Ortega
- Two Hours Traffic
- Two Hours Traffic
- Two Hours Traffic
- The Grapes of Wrath
- Laura Jean
- Lindi Ortega
- Jill Barber
- Catherine MacLellan
- Bruce Kaphan
- Neko Case
- Blue Rodeo
- Blue Rodeo
- Jill Barber
- Justin Rutledge
- David Myles
- The Mohawk Lodge
- The Mohawk Lodge
- The Mohawk Lodge
- The Mohawk Lodge
- The Mohawk Lodge
- Justin Rutledge
- Twilight Circus
- Neko Case
- Neko Case
- Neko Case
- Neko Case
- The Sadies
- The Sadies
- The Sadies
- Jim Cuddy
- Bob Egan
- Kids These Days
- Propeller
- Propeller
- Propeller
- Neko Case
- Neko Case
- Neko Case
- Neko Case
- Sarah McLachlan
- Sarah McLachlan
- Sarah McLachlan
- 54-40
- Neko Case
- Neko Case
- Neko Case
- Neko Case
- Faust
- Faust
- 54-40
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- The Dirtmitts
- Twilight Circus
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- I Am Spoonbender
- Twilight Circus
- Dead Voices on Air
- Dead Voices on Air
- Dead Voices on Air
- I Am Spoonbender
- Cub
- Cub
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Neko Case & Her Boyfriends
- Neko Case
- Kinnie Starr
- Superconductor
- Cub
- Cub
- Cub
- Cub
- Cub
- Twilight Circus
- Kevin Kane
- Kevin Kane
- Duotang
- Duotang
- Zumpano
- Hootie & the Blowfish
- Bob's Your Uncle
- 54-40
- Sarah McLachlan
- Sarah McLachlan
- Sarah McLachlan
- 54-40
- 54-40
- Bill Bourne
- Tippy Agogo
- Bill Bourne
- Tippy Agogo
- Bill Bourne
- Tippy Agogo
- Robyn Cage
- Robyn Cage
- Robyn Cage
- Robyn Cage
- Robyn Cage
- Jordana Talsky
- All About Maggie
- Matthew Barber
- The Mohawk Lodge
- Elliott Brood
- Robyn Cage
- Robyn Cage
- Robyn Cage
- Robyn Cage
- Robyn Cage
3 Reviews
Endorse Darryl Neudorf- check_circleVerified
It was incredible to get to work with Darryl. I had a hard deadline and it was the middle of summer but he came up through with a stellar mix. Hopefully I get to work with him again. Thanks so much Darryl!
- check_circleVerified
Such a pleasure to work with Darryl. He is professional and amazing at what he does. Darryl's communication throughout the project was excellent. We are thrilled with the outcome, and really happy to have had the chance to work together.
I've worked with Darryl more times than any other music business professional - both as an artists and when I've produced other projects - and he's the one I consistently want to work with. His knowledge, experience, and attention to detail on every level keep me coming back.
Interview with Darryl Neudorf
Q: Analog or digital and why?
A: Digital. I have spent many an hour working in analog and nothing beats the sound of an Ampex 102 playing back an analog recording through a tasty analog console through some excellent monitors. Unfortunately the world we live in doesn't hear music that way. I bring my years of experience in analog and apply it sonically to digital.
Q: What are you working on at the moment?
A: An upcoming album for Neko Case.
Q: What do you like most about your job?
A: The excitement when a song or mix starts to come together. The incredible privilege to be surrounded by music every day. The excitement I get back from the artists. The joy of learning that the music affected many people.
Q: What questions do you ask prospective clients?
A: Why are you doing this? What is your personal, artistic and career goal for this project, this year and the next 5 years. What was your favourite music growing up? What is it now?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbook Pro w Logic, Midi keyboard, Neve 1073 mic pre, AT 4050 mic, acoustic gtr.
Q: How would you describe your style?
A: I would love it if people identified my style as timeless and genre pushing. I love trying to make music that is at once, futuristic and vintage sounding. Organic, yet mysteriously magical at the same time, but ideally none of these are consciously noticed due to the raw emotion in the foreground.
Q: Which artist would you like to work with and why?
A: You. Because you need to have your music heard.
Q: What type of music do you usually work on?
A: Americana, Alternative, Indie Pop, Indie Rock, Experimental electronic music in general.
Q: Tell us about your studio setup.
A: Neotek console, boutique custom modded mics and gear, Neve, API, Ward Beck, Neotek mic pre's. UAD Apollo interface w Black Lion micro-clock, tons o plugins. Moog Rogue, Roland SH-2, Chroma Polaris synths. Yamaha NS-10M / Yamaha PC2002M amp, Yamaha HS-50 w subwoofer and JBL 4408A monitors.
Q: What was your career path? How long have you been doing this?
A: I have been doing this for over 30 years. I started as a teenager in punk, post-punk and industrial bands, mainly as a drummer. Joined the band 54/40 in the early 80's and then decided to pursue production and started working with Sarah McLachlan on her first two albums. Produced, engineered and mixed scores of albums ever since.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Neko Case - Fox Confessor Brings the Flood. This album marked a culmination of a many years long working relationship that found the artist really finding her strong identity in her art. I co-produced and mixed the album with her.
Q: What's your 'promise' to your clients?
A: That I will devote all my energy to helping you, the artist, finish the track(s) that will take you on your journey to wherever it is that the music gods have chosen for you to go.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Test out a song first before jumping into a commitment. The provider may be super qualified, but simply may not be compatible.
Q: Can you share one music production tip?
A: Fairly early in the mixing process, I use a "pseudo"?-mastering chain to mix through. This helps give me a better understanding of the desired end result as I mix. Many times, the artist or label ends up using my "pseudo" mastered mixes as the final master. Another tip: I like to use an app called "Airfoil" to run my mixes through my laptop speakers, tablets and phones in real time allowing me to make adjustments based on the devices that the majority of people listen to music on.
Q: What's your strongest skill?
A: Mixing, interpreting a song for a desired audience.
Q: What do you bring to a song?
A: I like to dig into what the artist originally felt when first coming up with the song idea. Finding the essence that brings out the emotional current is key. Keeping things simple and cutting out fat. I like working on maintaining user interest and focus throughout the song's journey. I love working with artists who are not afraid to break down boundaries to get to the key focus of the song.
Q: What's your typical work process?
A: I like to focus on getting the feel or vibe right and being able to capture it as effectively as possible. Don't do alot of processing before it hits the DAW. Prefer to have as pure and direct signal from mic / instrument to pre-amp to DAW as possible. Once in the computer, the universe of options open up. Though I love to experiment with sonics in the computer, the power of music comes from human emotion, and that always takes priority. Though I work entirely digitally now, I come from the analog era and learned on analog consoles and tape machines and bring that experience and sensibility with me.
Q: What other musicians or music production professionals inspire you?
A: Brian Eno, T Bone Burnett, Ric Ruben, Aphex Twin, Martin Hannett, Holger Czukay, John Cage, Flume, Monolake, Lil Yachty, Cigarettes After Sex
Q: Describe the most common type of work you do for your clients.
A: Mixing, Full Production, Song Finishing
I was the Mixer/Engineer/Producer in this production
- Mixing EngineerAverage price - $400 per song
- Full instrumental productionContact for pricing
- ProducerContact for pricing
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- Neko Case
- The Weather Station
- Boy Genius
- Logic Pro X
- ProTools
- Neve
- API
- Neotek
- Universal Audio
- Waves etc