Quality mixing and premastering for a very competitive price, more than ten years of experience in music production, seven in mixing and working with artists. Using proudly powerful digital tools, with always the will to push a track to something new and powerful. Not bound to any music genre. I can employ hardware, but may imply additional faires.
I'm a sound engnieer, ended my audio school in 2019, working with sound since 2012.
I specialized my skills in mixing audio when I discovered, when working with the local rap scene, around 2015, the power of making a track "real". It was the begining of a countinuing journey today, buying books, consuming online videos, attending courses and trainings. Blended with my music creating and recording background, I propose here to share my passion and knowledge to push your tracks to the next level, with a sleek, punchy, sturdy founded, and open signature sound for a cheap price.
I finished my technical sound school by the end of 2019, working in a famous venue in France, specialized in classical music sonorisation, with the addition of recording studios experiences where I had my first contacts with hardware and analog machines.
I can mix and premaster your tracks at a very interesting price compared to the quality of the render you'll get.
I mostly worked with Pop, R&B, Rap, and Pop Rock genres, but as a composer I also produced and mixed Disco, Soul, Funk, Techno, Dub, Trance, House, Scoring, globally Electronic genres, ect.
I'm simply not bound to any genre.
I work with the best digital tools, and keep a constant watch on what's new, educate myself on DSP technology daily, to always bring a sharp approach to the mixing process.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Blue Signal Mixing
Q: How would you describe your style?
Q: What's your strongest skill?
A: I always have an original take to the song proposal.
Q: What's your typical work process?
A: Listening Cleaning Correcting Color and space treatment
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A computer ! and a superb monitoring system. More seriously, 1178 compression, API chanel strip, SSL Bus Comp, Tube Equalizer
Q: What was your career path? How long have you been doing this?
A: I began creating music with a computer and recording instruments with friends back in 2012. I began to learn mixing audio principles starting 2015.
Q: Which artist would you like to work with and why?
A: Kanye West / Dre / Jackson and His Computerband / Quincy Jones
Q: Can you share one music production tip?
A: Following analog devices limited bandwidth principle, one of the problems with digital audio mixing is the "too much sub and low end information" and "too much top end". Think this will bring a huge step to "finished track" feeling.
Q: What type of music do you usually work on?
A: I mostly work with bass heavy compositions or very spacialized and distant, atmospheric elements.
Q: What do you bring to a song?
A: I always want to bring more depth, landform, texture to a song proposal.
Q: Tell us about your studio setup.
A: I monitor with a HS5, HS8, and HS8S monitoring system, in a quite small room, with mastering grade premium quality converters (126 dB of dynamic range) The room is being treated and the monitoring system has been calibrated. I ended selling all my mixing hardware (previous setup was an analog GB4-24, then an SSL summing mixer) working strictly with well known digital audio principles of DSP.
Q: What other musicians or music production professionals inspire you?
A: Andrew Scheps, Phillipe Zdar (RIP)
Q: Describe the most common type of work you do for your clients.
A: I mostly give artistic direction feedback when mixing a track for a client. It's mostly communication, exchange about the artistic intention, the references,