ZACK - SONAL WAVES STUDIO

Mastering | Mixing for Indies

ZACK - SONAL WAVES STUDIO on SoundBetter

Do you get freaked out by the technical jargon that gets thrown about by mixing and mastering engineers? If so well you’re in the right place! My goal at Sonal Waves is to create a non-intimidating environment for Indie Artists and beginning music creation enthusiasts. I want to help you get a professional, competitive sound for your music.

You need an OBJECTIVE EAR on your project prior to distribution. Together we will ensure that the sonic goals for your music are identified and met. As a mastering engineer with a performance and songwriting background I completely respect and relate to the artist's perspective of the creative process.

Once we have discussed the direction and goals of your project I will provide a FREE review of your final mix to ensure that your expectations can be met based on the reference tracks you have chosen and the final mix you have provided.

SERVICES:
Single Song Master - $60
EP or Album Master - Single Pricing up to 5 songs (contact for bulk discount)
Stem Master - $120
Single Song Full Mix - $300
Single Song Mix and Master - $335($25 discount)

Bulk discount pricing is available

I will master your Song, EP or Album to the current commercial standard of your chosen distribution outlet whether it be Streaming, CD or Vinyl.

I'm looking forward to helping you get your music across the finish line and out to the WORLD!!!!

Send me an email through 'Contact' button above and I'll get back to you asap.

Interview with ZACK - SONAL WAVES STUDIO

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: A family member came to me and needed a theme track for the intro to a podcast he was working on. He needed a very fast turnaround so I produced, mixed and mastered it and got it to him in a day. He was super stoked on the end result and was able to use it on his podcast. It was really gratifying to help a family member with my art and my career.

  3. Q: What are you working on at the moment?

  4. A: I'm currently mixing and mastering a track for a Healing music artist. She is an amazing vocalist and creates an ethereal vibe with her music that blows me away. It has been really fun working with her.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: For custom song writing definitely check out Michael Averill at Mixmatched Socks Productions. Also for song production, singing and songwriting check out Kris Bradley at Boomfox Productions.

  7. Q: Analog or digital and why?

  8. A: I think a mixture of both is probably your best bet. There are options that digital plugins provide like AI assistance for example that Analog is simply not capable of. On the other side of the coin there are textures, character and warmth that cannot be exactly duplicated by digital plugins that you will only find in analog hardware. Why not use both and get the best of both worlds. The only reason I'm fully digital at this time is the price of admission into the analog world. As my studio business grows I will definitely be bringing in analog gear into my processing chain.

  9. Q: What's your 'promise' to your clients?

  10. A: My promise is that you will be happy with not only the end result but the entire process of getting your music mixed and/or mastered at Sonal Waves.

  11. Q: What do you like most about your job?

  12. A: I am the final set of ears on projects before they are shared with the world. That's a big responsibility and I don't take it lightly. I love hearing satisfied clients' comments on how happy they are with their project.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: Wow, how did you do that? I usually walk them through the processing chain I used on their project.

  15. Q: What's the biggest misconception about what you do?

  16. A: That mastering will magically make a bad music production or mix sound good.

  17. Q: What questions do you ask prospective clients?

  18. A: What are your goals for your music? How many people will hear your music? How and where was this music recorded? Which artist would you like this to sound like? Do you have reference tracks picked out? When do you need the work done by?

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Make sure you gel personally with the person you're going to hire. It will make the communication and workflow much easier. Obviously listen to their previous work and make sure it's up to the standards that you're looking for.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: My first answer is 5 survival items such as a swiss army knife, fire starter, kevlar string, mirror etc... because if you can't survive there's not much point in music gear. I get where we're going with this though. 1) Macbook pro with Logic Pro and Slate digital plugin suite 2) Solar panel charging system 3)Steven Slate Audio VSX headphones with the VSX plugin loaded on the Macbook 4)Komplete Kontrol midi controller, the S49 would do 5) a decent bluetooth microphone

  23. Q: What was your career path? How long have you been doing this?

  24. A: I have only been pursuing mastering and mixing for others for the last year after leaving my corporate job as an apparel designer over the last 17 years. I've been playing music for 36 years. I am a graduate of the guitar program at the Musician's Institute in Hollywood as well as multiple online programs for production, mixing and mastering.

  25. Q: How would you describe your style?

  26. A: I don't want to have a style in my mastering work. If anything I want to amplify the style of the artist's project that I'm working on. My job as a mastering engineer is to be transparent

  27. Q: Which artist would you like to work with and why?

  28. A: Taylor Swift. In my opinion she is a master at the craft of pop song writing. To be able to write songs that catch so many people's attention is truly a gift. I also like the production choices she helps make on her albums. Yes I get that she works with a team but she still has to put her name on it at the end of the day.

  29. Q: Can you share one music production tip?

  30. A: Invest in acoustic treatment for your studio. If your room/listening environment is lying to you then your productions, mixes and masters will never translate properly to outside listening devices. Tip #2 Train your ears.

  31. Q: What type of music do you usually work on?

  32. A: In regards to Mastering, Mixing and Production most of my experience is in electronic music. I come from a guitar playing, singer/songwriter past so I'm well versed in how many different genres should sound.

  33. Q: What's your strongest skill?

  34. A: Listening and communication.

  35. Q: What do you bring to a song?

  36. A: Years of experience being a performing musician as well as a songwriter. A great since of timing, a strong understanding of the Frequency spectrum and a well trained ear.

  37. Q: What's your typical work process?

  38. A: My main focus is communication with my client. Once we are both on the same page and I've received files I will start a project in my DAW and get their project laid out using one of my templates depending on if it's a mixing or mastering project. I will then listen to the client's reference tracks, I also might do a quick search to see if I can find reference or two that inspire me in a different way than the client's. When it's time to jump into the project I really focus on 3 main things. Fix inconsistencies, then fix problems, then work on enhancing the track.

  39. Q: Tell us about your studio setup.

  40. A: I'm an "in the box" engineer at this time. I use a Mac Studio with an M1 Max chip so that I don't have lag or crashes when using my multiple plugins. My Dynaudio LYD 48 3-way monitors used with Sonarworks SoundID reference software in my GIK acoustic treated room gives me a true uncolored playback environment that I can trust to create great mixes and masters

  41. Q: What other musicians or music production professionals inspire you?

  42. A: When it comes to electronic music production Eric Prydz is my hands down favorite. I'm a big fan of Jacquire King, Ian Kirkpatrick and Mick Schultz's productions as well. I love the mastering Chris Gehringer did on Dua Lipa's Future Nostalgia album.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I have produced, mixed and mastered my own artist project over the last couple of years. Samples of those are the electronic instrumentals in my demo reel on this profile. I am currently mixing and mastering a Healing music artist which is an amazing project to work on.

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Terms Of Service

- Project turnaround is 2-3 days
- 25% expedite fee for projects needed within 48 hours or less
- Unlimited notes per revision, up to 3 sets of revisions. $30 per Rev after

GenresSounds Like
  • Eric Prydz
  • Yotto
  • Lane 8
Gear Highlights
  • Mac Studio with M1 Max chip
  • Apollo Twin X Quad interface
  • Dynaudio LYD 48 Monitors
  • Sonarworks SoundID software
  • Mastering Plugins from Universal Audio
  • Izotope
  • Fabfilter
  • Kush Audio
  • Waves
  • Custom acoustically treated room by GIK
More Photos
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