
I've been an audio producer for 20 years, I've worked mixing and mastering different styles and I own a techno label https://www.instagram.com/idgzlabel/
🎧 I'm a mixing and mastering engineer specializing in psytrance, progressive trance, and electronic music in general, such as techno, tech house, house, minimal, hip-hop, etc.
My mission is to transform your ideas into club-ready tracks—with impact, clarity, and identity.
I work with a hybrid setup (digital + analog), combining the precision of modern tools with the warmth and character of analog processing.
My mixes deliver precise kick and bass, surgical balance, and deep spatial definition—keeping the groove and dynamics true to your music.
🔊 Services:
Full mix (stems or full project)
Digital or hybrid mastering
Stem mastering (for DJs and record labels)
Mix review and technical feedback
🧠 I've worked with independent artists from Brazil and abroad, always striving for maximum impact and transparency—creating tracks that resonate both on stage and on streaming platforms.
🚀 Submit your track and get a free preview mastering — no strings attached.
💬 We'll make your music sound as powerful and clear as it deserves.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Discogs verified credits for GonzaInterview with Gonza
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: In 2025 I set up the Gonza project, which is a progressive and psy trance live show. I've been working on it ever since and I already have two songs released and 8 more ready.
Q: What are you working on at the moment?
A: I'm working on my psytrance live
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: perhaps
Q: Analog or digital and why?
A: Analog because it brings more truth to the sound
Q: What's your 'promise' to your clients?
A: Make music sound balanced on any sound system
Q: What do you like most about your job?
A: I can listen to music all day
Q: What questions do customers most commonly ask you? What's your answer?
A: They ask if they'll be able to play the songs together with their idols, and I say that this is definitely my biggest focus.
Q: What's the biggest misconception about what you do?
A: Thinking there is a cake recipe
Q: What questions do you ask prospective clients?
A: How many channels does the track have?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I like to work with balanced songs.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Notebook, solar battery, headphones, Starlink internet, and a Universal Audio card
Q: What was your career path? How long have you been doing this?
A: I started producing in 2009 and released my first tracks in 2011 and set up my first record label in 2012. Today I have two record labels, I have a production tips channel on YouTube and Instagram.
Q: How would you describe your style?
A: I'm a chameleon-style producer
Q: Which artist would you like to work with and why?
A: I would like to work with Burn in Noise because he is the King of Psy Trance
Q: Can you share one music production tip?
A: Always pay attention to peaks, a good way to control this is with a limiter, compressor and clipper.
Q: What type of music do you usually work on?
A: I work more specifically with electronic music of all styles, such as pay trance, deep, house, techno, etc., but I can produce any style.
Q: What's your strongest skill?
A: I like to work a lot on equalization
Q: What do you bring to a song?
A: I bring more clarity, punch, energy and stability between frequencies
Q: What's your typical work process?
A: Working with Ableton Live Pro Tools
Q: Tell us about your studio setup.
A: I work with Universal Audio plugins and some peripherals
Q: What other musicians or music production professionals inspire you?
A: I really like the work of guys like Ace Ventura, Burn in Noise, Captain Hook, Avan7 and Earthspace
Q: Describe the most common type of work you do for your clients.
A: I work more with Stems mastering, I think it's a good cost-benefit alternative for clients.

I was the mixer enginer in this production
- EditingAverage price - $40 per track
- Mastering EngineerAverage price - $30 per song
- Mixing EngineerAverage price - $100 per song
1️⃣ Profissional e direto:
Mixing: 5–7 days | Mastering: 2–3 days | 1 free revision | WAV 24-bit delivery | No refunds | Credit: “Mix/Master by GONZA”
- Burn In Noise
- 7avana
- Earthspace
- Plugins Universal audio
three masters demo free