I write hybrid cinematic scores that fuse orchestral emotion with EDM energy, layered with live violin and keys. Give me your scene and I'll score it to picture.
I'm a composer and producer specializing in hybrid cinematic sound: lush evolving atmospheres, orchestral scale tension, and modern electronic melodies and bass design, with live violin and piano woven in. Every project is delivered with clean gain staging, mono compatible width, and full stems so your engineer has everything they need. Whether it's a score to picture, a full instrumental, sound design, or a cinematic reimagining of your song, I'll make it feel huge without losing the emotion. I can also add live violin or piano to your existing track, or lay down keys on your track.
Send me a note through the contact button above.
Interview with Ardy
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Sony's Spider-Man scoring contest entry where I handled everything: composition, sound design, mixing, and mastering. Phenomenal project and loved every second working on it.
Q: Analog or digital and why?
A: Digital core, human edges. In the box gives me recall, precision, and sound design depth that analog can't match for cinematic work. But I track real violin and keys on top, because a live performance breathes in a way no sample library does.
Q: What type of music do you usually work on?
A: Hybrid cinematic, Film and trailer style cues, game audio, and cinematic re-imaginings of existing songs. Think the sound worlds of Interstellar, Tron, and Cyberpunk.
Q: What's your strongest skill?
A: Fusing worlds that usually don't sit together. Orchestral writing and EDM bass design fight each other in most hands, in frequency and in feel. Making them feel like one piece of music instead of two genres stapled together is the ultimate goal.
Q: What do you bring to a song?
A: Scale and emotion. I make tracks feel bigger: wider atmospheres, deeper low end, and tension.
Q: What other musicians or music production professionals inspire you?
A: I would say Hans Zimmer, Ramin Djawadi, and Daft punk.
Q: Describe the most common type of work you do for your clients.
A: Hybrid cinematic scoring and production. Clients bring me a scene, a game level, or a song idea, and I build the full sonic world around it: orchestral emotion underneath, modern electronic bass and melodies on top, with live violin or piano when the moment calls for something human.
I was the sole artist in this production
- Film ComposerAverage price - $50 per minute
- Game AudioAverage price - $100 per day
- Composer OrchestralAverage price - $250 per song
- ViolinAverage price - $200 per song
- Keyboards - SynthAverage price - $200 per song
- Full instrumental productionAverage price - $200 per song
Every project includes 1 free revision, with additional revisions at $25 each. Typical turnaround is 5 to 7 days for a single cue or song, longer for multi cue projects, confirmed before we start.
- Hans Zimmer
- Daft Punk
- Ramin Djawadi
- FL Studio
- Spectrasonics Omnisphere
- Yamaha Electric Violin
- Focusrite Scarlett
- Beyerdynamic reference monitors
