Starving for some groovy lines? Not sure how to give a bust to your tune? I'm a bass player, composer and producer based in London. Specialised in Rnb, Rock, Classical, Pop, Electronic. Get in touch for a free quote!
After a short degree in Composing and classic guitar at the conservatory P.Mascagni in Italy, I've moved to London where I've been studying Composing and Production with Audrey Riley, Michael Hyman and Misha Nikolic.
I'm actually working as bass player, arranger and producer for the band Duke of Wolves and other artists, covering different genres form rock (Muse, Ratm, Qotsa..) to electronic pop (The 1975, Depeche Mode..).
I'm specialised in scoring and all my services can include a full or partial score on request.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
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Interview with Sara Fedi
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: "Walking through" is a concept album not released yet, that I've been composing and producing last year. The album use a combination of sound waves that have been proved being able to interact with different parts of the human body. The album is still on an experimental phase but has been proposed as alternative treatment for PTSD.
Q: What are you working on at the moment?
A: Duke of Wolves new album.
Q: Analog or digital and why?
Q: What's your 'promise' to your clients?
A: That they'll get exactly what we agreed.
Q: What do you like most about your job?
A: Every little bit. From the creative process to the last minute adjustment.
Q: What's the biggest misconception about what you do?
A: That I'm a telepath. I'm not.
Q: What questions do you ask prospective clients?
A: What's your aim. What do you aspire with this work. In this way I can have a clear idea immediately of who I'm working with and how much work is gonna be.
Q: What advice do you have for a customer looking to hire a provider like you?
A: If you don't have a clear idea of which sound you want look for any possible reference.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: It means I'm on holiday so see u when I'm back.
Q: What was your career path? How long have you been doing this?
A: I've been starting two years ago and since then thanks to the several collaborations and connections with the local studios I've been able to improve radically.
Q: How would you describe your style?
A: Honest. Direct. Natural.
Q: Which artist would you like to work with and why?
A: Can't really say. Anyone who can bring me out of my comfort zone and discover something different.
Q: Can you share one music production tip?
A: "If something doesn't sound good with just a piano or acoustic guitar, is not gonna sound better once in the mixer" <Jamiroquai>
Q: What type of music do you usually work on?
A: Recently mostly Electronic and Pop,Rock.
Q: What's your strongest skill?
A: I'm an excellent listener. This means that I pay particular attention to what the song request and what my clients has in mind.
Q: What do you bring to a song?
A: My passion.
Q: What's your typical work process?
A: Listening. I think is the first and most important step.
Q: Tell us about your studio setup.
A: I have a little home studio. I usually record my tracks with Logic X. Bass: Fender jazz squire, Traben Neo.
Q: What other musicians or music production professionals inspire you?
A: Thomas Bergensen
Q: Describe the most common type of work you do for your clients.
A: I'm the problem solver. Most of my clients contact me before a recording, to check that all the parts work smoothly with each other to prevent possible waste of time once in the studio.