82205 Gilching Audio Engineers, Producers & Songwriters
My name is Jonas and I'm recording and producing music for over 10 years now. I played the drums and did the recordings and productions of all the songs I uploaded or linked here.
” Michael Spiess is touring as a FOH (Front Of House) artist’s live sound engineer in Europe and worldwide “
Hi, I am an Audio Engineer from Munich.
19 y/o Producer from Germany. I'm currently trying out many Genres to find my unique sound. If you want to be part of that Journey hmu!!
Hi, my Name is Nik Brunner and i am an educated Mastering Engineer in Munich. I love shaping the best possible sound out of a raw diamond. If you want to do buisness or have Questions, please contact me here: info@mdmastering.com or here directly on this site. 'THE SOUND YOU WANT.'
Munich based Music Producer, Recording & Mixing Engineer with more almost a decade of experience in Music Production; graduated from SAE Institute Munich
*** Do you like to have that certain something for your project? ***
I am a creative guitarist, influenced in different styles by different musicians. My greatest inspirations come from jazz and latin music, as well as classic and fusion.
Editing, Recording, Mixing, Live Sound (FOH and Monitor)
Graduated Audio Engineer based in Munich specialised in Mix, Mastering, Restoration, Production/Composing, Game Audio and Sound Design.
As a multi instrumentalist, I know the importance of instruments played together and their specific musical function in several styles, so a mix can "breathe" or the musical concept fits with the creative idea of the composer. Thinking outside the box or bring style to perfection, the bottom line is creation with concept.
Christian Gschneidner, Recording & Mixing Engineer and Producer. Radioready Mix and Production.
Working interdisciplinarily and in multiple genres is elementary for a full-circle approach of music and audio production. I explored the entire landscape of music and audio production. State-of-the-art technology a My motivation is not only to make music happen on the highest possible level but also to comprehend the theory of acoustic perception.
