Mixing & Mastering Engineers, Producers & Songwriters who worked with Adi Amati

Remote Mixing & Mastering - Camufingo
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Trilingual Angolan audio engineer located in Luanda proving there are capable engineers on the continent.

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Producing,Mixing,Composing - Gilly's Music
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Troy Gilchrist is a new Upcoming Australian Producer who is making marks in the industry. With 15 years experience of music production and live sound under his belt. Working with some of the all time legends of the industry including names like Jeff Martin, Nick Didia & Bernard Fanning. His dedication and passion is worth your time.

Ghost Producer - Sebastian Rangel
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Ghost Production/Remixer/Beat Maker

Recording, mixing, mastering. - Martin Roženek

Martin Roženek is a mixer, record producer and head of GM Recording studio, which is situated at Czech - Slovak - Polish border in central europe. He worked with a wide range of bands and interprets, mostly from these countries, for last 20 years.

Session Guitarist, Mixing - Ron Hagadone

Guitarist offering session recording and mixing services. Average rate is $75.00 per track of guitar/bass. Mixing starting at $100 per song, open to negotiate special situations as I'm just starting 1/25/21, limited time offer.

Vocal Tuning, Backing Vocals - Bruno Bessa
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I've been a musician for more than 20 years, I've been doing vocal tuning and comping for Brazilian artists for a long time, specially EDM recorded in English. I've worked with Deborah Blando, Wanessa Camargo and other artists well known in Brazil.

Producer Mixing Engineer - Konrad Janz
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What sets me apart is that I don't see my work as a normal job. Rather, it's a kind of full-time hobby for me. As such, I approach every project with the same passion and fun, however small and uncommercial it may be.

Sound Engineering and Mixing - Daniel Barata Productions

I'm a young sound engineer with a lot of motivation. I've co-produced the track One Sided by Jenesis.

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Multi-genre mixer - David Lindsay
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Berklee College Graduate Focusing on Mixing and Production.

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