Mixing & Mastering Engineers, Producers & Songwriters who worked with AlexSoap

I see sound as both an artistic expression and a physical phenomenon. My role is to bridge that gap — translating the emotion you put into your track into a final product that is technically reliable and emotionally powerful on any system.

As a writer with track's ranging from a no.1 on Apple iTunes Chart (Tied Up, by Julian Perretta & The Magician), to being featured in Andrew Bowler's 2018 film 'Time Freak', I have written for a huge range of artists. You can find my work as an artist (Taura Lamb) on the Soundcloud link attached to my profile.

I make digital regular and stem mastering mainly using Acustica Audio hardware sampling (convolution capturing) plugins that gives the most realistic sound and behaviour of real best analog mastering gear in the industry, the result is a digital BUT really analog sounding mastering. You'll never recognize that My masters made digitally.

I'm a session guitarist specializing in rock and metal, but also fluent in pop, blues, jazz, funk, and many other genres.

New to the platform, not new to the game. I'm a recording artist and ICMP London and PXL-Music graduate who's worked with DJ's and artists all over the world. From Kuwait to Australia, my voice has been featured on tracks b DJ's from all sizes, and I may just be the perfect voice for you!

Hi, I'm Mike Epsse – producer, mix & mastering engineer. Signed to Confession Label and specialized in Ghost Production for EDM artists who want a powerful, professional sound. I deliver club- and festival-ready tracks with the energy and loudness of top-tier labels like STMPD, Spinnin’, Stereo Hype. Let's take your sound to the next level.

Cinematic pop vocalist and songwriter | Eurovision Semi - Finalist | Sync-ready music

Team of Four. Varying Specialised Areas (Musicians/Engineers). Any Genre (Preferably Electronic or Band-style instrumentation with vocals)

A lot of times, people get lost in the process of producing music. To make matters worse, the solutions they propose (“the song needs new guitars”, “mastering will fix it”, etc.) might not at all be what will actually make the song better. I specialize in stepping into these situations and using fresh ears to get the track to the finish line.