Mixing & Mastering Engineers, Producers & Songwriters who worked with Color Compound

Mixing/Mastering Engineer - Mark Thomas
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MOH Engineer for AR Rahman and FOH for various Bollywood artists. I also offer mixing services for music, live streams, virtual concerts etc.

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Session Bass Guitarist - Jatin Jitendrakumar
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I have been playing bass since 2008. I have played bass for groups of various genres like Metal, Hindi/Bollywood Rock, Blues! I can pretty much fill in basslines for any kind of song.

Mixing, Mastering, Producing - Poke
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Singer/Songwriter, Engineer, Producer, Multi-Instrumentalist. I've worked with Sheena Easton, Patti LaBelle, Gladys Knight, The O'Jays, Grover Washington Jr., Levert, Oleata Adams, and many more.

Multi-instrumentalist/engineer - Jordan Feinstein/Studio 352
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If you need it done - we can do it.... Vocals/Keys/Bass/Guitar/Drums (digital and analog) All facets of a recording project (except mastering)

Music Producer + - Joey Riot

I make every style of music but excel in dance music. Any genre. Music Producer, Mix & Mastering Engineer, Certified Tutor and award winning artist. Signed to major European label & publishing company.

Mixing, mastering, sounddesign - Immersive Audio

Masters degree in sound engineering and music production. M ixing, mastering, foley, sound design, composition, recording and more.

compose music on DTM - Kei Imamura
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I am a beginner, but I will do my best to live up to your expectations. and I make songs for free.

EDM Producer - ZEVENDAY

Zevenday is a passionate electronic music producer, specializing in EDM with a particular focus on progressive house. With 12 years of experience in music production using FL Studio, his style is heavily influenced by icons like Avicii, Martin Garrix, and Nicky Romero. Zevenday draws inspiration from the electronic music sound of 2013 to 2016.

Cinematic Rock Singer - Manuela G.

I’m a cinematic rock singer with a dramatic vocals. My tone moves from dark, gothic lows to angelic, ethereal highs, giving every track a cinematic edge.

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