Mixing & Mastering Engineers, Producers & Songwriters who worked with Ideal

Credits include TLC, Jodeci, Diana Ross and more.

Michael started his career at HANSA TONSTUDIOS BERLIN. After 5 years of studying all tricks and tools of the recording trade he became a freelance Recording Engineer / Mixer. In the mid 80’s Michael was in such high demand by the Japanese music scene that he moved to Tokyo >>>

* Pop producer recognized for hits starting in the early 2000s; * Multi-instrumentalist: Bass, Drums, Keyboards, and Guitar; * AASBM - Audio Recording Technology (Audio Engineer); * Dante Certified (IT) * Green Street Recording Studios (Manhattan, NY) - Internship * Perfect Pair Studios (East Orange, NJ) - Managing Engineer * ATMOS engineer

A recording and mix engineer with international credits specializing in production and post-production for dolby ATMOS.

I'm Martin Evans, a UK-born, Philly-based remote session drummer. I offer organic, live-played MIDI drum tracks as the perfect alternative to programmed drums. Ideal for artists, bands, and producers who want the flexibility of MIDI with the feel of a real drummer.

Specializing in Mastering of all genres // Streaming-ready masters // Mastering for Vinyl // Stem Mastering. I've worked with individual artists, bands, and commercial clients, leveraging 15 years experience in and around studio, live sound, and live performance.

Rap artist here. Breaking out in to the industry, but by no means an amateur to business. My goal is strategic collaborations. Need to get on some tracks with other artists and get other artists on my tracks! Lets go and promote. Check out my website stacheoverflow.net, I am a software engineer by day, easy peasy.

Producer, session musician with 18+ years experience playing guitar. 2+ years of music production and 2+ years of vocal experience. Primarily focused on Pop Punk / Alternative / rock music.

Musician turned producer, helping new acts get the most from their art

Studio guitarist with a focus on melodic slide playing, ambient layers, and emotionally driven parts. If you need slide guitar that sings or textures that breathe, I’ve got you covered.

I compose immersive, unsettling soundscapes that blur the line between music and sound. Each piece is designed to evoke emotion, suspense, and psychological depth — ideal for dark cinematic storytelling.