Mixing & Mastering Engineers, Producers & Songwriters who worked with jorge

Any style guitar session work, especially electric blues, rock and acoustic finger style, electric or acoustic bass, blues harmonica, vocals, song writing, drum programming (or I can have live drums recorded), and mixing.

Highly experienced Producer, Songwriter & Bass Player with dozens of CD credits and Hundreds of Songs Produced and Written for artists and international TV Shows. Over 300 Million Streams. I know how to get the sound A&R reps and Music Supervisors are looking for!

Brazilian Producer and Sound Engineer from Corredor 5 Music Lab with more than 25 years of experience in working with Brazilian, Latin and World Music.

Multiple Latin Grammy Award winning engineer with years of experience in the music industry recording, mixing, producing and mastering (Apple Digital Masters). C-Tangana, Jorge Drexler, Danna Paola, Lali, María José Llergo... Working with different genres and artists has given me the skills to get you the best version of your music.

I have recorded bass on many records, production demos and am experienced in many genres. Bassist best known for his recording and touring with Rob Halford (Judas Priest), James LaBrie (Dream Theater) Star Monarchy, TWO, Gary Hoey, Greg Koch and Machines Of Loving Grace.

Hi. I'm Cesc. I am an online session bassist and producer. I have played many basses for many artists and offer a fully professional recording service. Credits include: Funambulista, Georgina, Max Sunyer, Jorge Pardo, Orjazzmic. I also work with Logic, Reaper, specially in editing and beat makers.

Camilo has worked on projects for Ryan Castro, Golpe a Golpe and more, over 9 years of experience on Urban Pop, Reggaeton, Afrobeat, EDM, Acoustic Music and Rock

Multi Instrumentist - Latin Musician - Mix Engineer

An independent mixing engineer who grew listening to Rock and figuring how everything, well, mix! Being from the sound for Cinema, I like to have aesthetic/narrative contexts very clear when I mix: nothing worse than hearing a song where you know when each instrument should talk and that instrument is buried into the mix.