Mixing & Mastering Engineers, Producers & Songwriters who worked with Shift - Let Go & Secrets (Mixing/Mastering/Arrangement)
Welcome to PRVLG Sound. A studio and team dedicated to the love of music. Unlike most studios out there, we put out heart,effort,and attention into every project we work on. For us it's more than just working on a track or finishing a project, we wanna help anyone who comes to us develop and improve their sound. Whether 1 song or 50, Let's work!
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Let me help you bring your vision to completion! Production, Beatmaking, songwriting, etc...I can help your creativity move to the next level!
My name is Nicholas, I'm an audio engineer specializing in mixing and mastering trap and metal music. My latest reference of a mix is on "Graydread - Eremitic ft. Arthur Robinson".
Multi-instrumentalist (pedal steel/dobro/guitar/mandolin/banjo/vocals) who has toured all over the world and played hundreds of sessions, currently residing in Nashville. I have toured and recorded as of most recent with Colter Wall, Dustin Lynch, and Cody Jinks, . I play country, bluegrass, blues, rock, jazz, folk, americana, and pop.
Facts: DJ / Producer since 1998|| Stil: Techno, Disco, House & Deep House|| >1.500.000 Streams on Spotify|| >1.500.000 Streams on Soundcloud|| Top10 Releases: 4|| Top100 Releases: 50|| Days in Top100: 961|| >350 Releases (Remixes, Album, Tracks)||
I've been recording and mixing since about 1995. My inspirations are guys like Eddie Kramer, Geoff Emerick, Alan Parsons, Bob Ezrin, Tchad Blake and Jack Joseph Puig. I like to blend more traditional ideas with more contemporary ones. I've been a musician for nearly 40 years, my primary instrument is guitar/bass.
Glasgow-based composer and pianist with releases on contemporary classical labels including 1631 Recordings and Decca. Matt’s music has been streamed over 50 million times with official playlisting on BBC Sounds, Apple Music and Spotify and his work has been used internationally across a diverse range of film and TV.
I've worked with many artists, and some of the songs I've mixed got placement deals in TV adverts and TV shows When I mix I treat the track like it's mine, that way I give my absolute heartfelt mix to it
I have a wealth of experience as a singer, songwriter, and multi-instrumentalist. I was signed to DB Records as The High and Lonesome in 2002, and have collaborated with respected producers such as Tim Oliver, as well as highly skilled musicians including Charlie Jones (Goldfrapp), Clive Deamer (Portishead), and Amanda Kramer (Psychedelic Furs).
Recent Successes
"Great work. Trustworthy fellow!!"
"I've worked with several mix engineers but Sefi really stands out from the crowd and... will make your music better too!"
"Jack Cole did a test master for me and it sounded beautiful, definetly and new client now and it the future. He does great work"
"I enjoyed working with FraMusic. He takes the project very seriously as if it was his own song. Nothing better than working with someone who you can trust with your project and who will deliver! He is very patient an..."
"My project was relatively large and boasted over an hour of music. I set a reasonable budget and received well over 30 proposals from some of the best mixing engineers Sound Better has to offer. I reviewed a lot of wo..."
"Lonny is an amazing guitarist. His musical skills and passion brought my song to a whole different dimension. Working with Lonny was easy, he understood what I was looking for and nailed It !!!!!!!!!! Lonny will be do..."
"Good team, good job."
"Meeting Chuck Sabo through Soundbetter is the best thing that happened to our music. The consummate professional: helpful, dependable, uncomplicated. A great drummer, but even if you don't need drums, hire him for his..."
"I have no complaints with what I received from Diamond Groove Services. "
"His price was low and his mixing was good. It is easy to tell that Irving knows what he's doing. Thanks!"
"Thanks Robert, this was a easy and good collaboration."
"Mike is simply great! He easily understood every small detail we had in our vision for the song, made our sound solid and saved us from the infinite revisions nightmare by just getting it right with every step of the ..."
