Mixing & Mastering Engineers, Producers & Songwriters who worked with Taming Wild: Pura Vida (Documentary)

Film Score Composition, Vocals - Cora Rose
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Winner of the Outstanding Achievement Award for Best Original Score, Druk International Film Festival, 2019.

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Freelance Mixing & Mastering - Salvador Martinez
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I'm a musician, sound engineer from SAE Institute Mexico and I hope we can work together in our professional goal.

Mix/Master/Remote Live Drums - Big Studio
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Professional Mixing, Mastering, and Remote Drum Tracking to make that sound you're after a reality.

Session Singer, lead and bgv's - Joel
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Member of the multi-Grammy award winning vocal group Take 6.

Music Producing & Remixing - SYNUX

Have Been Among Top 80 Persian DJs & Founder Of VAPORLAND Label.

Session cellist / Composer - Liz Hanks
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Live and session credits include Liam Gallagher, Duane Eddy, Smokey Robinson, Pulp, Louis Tomlinson, Pet Shop Boys and Pete Doherty. Cellist on Laura Sulllivan’s Grammy-nominated album ‘Pieces of Forever’ (2024). Emotive, creative and dynamic cellist. Liz is respected and much in demand as a session musician worldwide.

Music Production, Audio Mixing - Mark Iskander

Professional music producer & sound engineer/designer based in Cairo, Egypt, professional user of Avid Protools, Fl Studio & Izotope, founder of “Diagonal Studios for Audio Production”, an audio production agency for advertising based in Egypt. Previous Clients:- OSN International MBC3 Universal Pictures Pizza Hut Watch It ADIB Bank We Marvel

Credits:
Brazilian Saxophone Sessions  - Vinicius Ribeiro
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I’m a saxophonist and flautist from the Amazon region of Brazil, bringing the rich musical heritage of my homeland into every performance and recording. With a deep passion for blending traditional rhythms with contemporary styles, I offer expressive and high-quality saxophone and flute recordings for artists and producers worldwide

Rock, Pop, and Funk guitarist. - Martin Sesar

Rock, pop, and funk guitarist with his own recording studio. Recording and mixing.

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