Mixing & Mastering Engineers, Producers & Songwriters who worked with The coats

Mixing and Mastering - Young Lee
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Mix & Mastering - Cristian Milani
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I am a Producer, Mixer, and Engineer based in Milan (Italy) with over 20 years of experience. Available for mixing, mastering, or other audio engineering tasks.

Mixing, Mastering - Nick Tashjian
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Nick Tashjian is a mixing and mastering engineer in Los Angeles. He has worked with Al Jarreau, The Staple Singers, Brandy, Estelle, Lady Low, Lindsey Stirling, Greg Adams, Bone Thugs & Harmony, OT Genasis and many more. He is also an educator and teaches recording classes at the Los Angeles Recording School.

Mixing Engineer,Music Producer - TukzBeats

Former Brass Band Leader, play up to 7 instruments Qualified Mixing Engineer from South Africa with a international sound Heavily influenced by Noah 40 Shebib Timbaland Pharrell Williams

Mixing and Mastering - Jonathan Park
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Audio Engineer focusing on recording, mixing, and mastering; credits in mixing and mastering include artists like mj apanay, SONN, and Cole Swensen. Work Sample: https://tinyurl.com/jonparksample

Producer / Singer / Guitars - Doug Lanza
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#1 goal is the vibe—Doug Lanza is a workhorse producer, mixer, and mastering engineer with a talent for songform. Let's take your idea, even if just a melody, and let it bloom into an emotionally impactful track (or album) ready for streaming sites.

Audio Engineer  - KoviNo

i am an artist who does audio engineering. i have done audio engineering for about 9 years i have been mentored by recording studios since i was a senior highschool. i have a number of projects out under my stage name KoviNo

Top Reggaeton Producer  - La RonPe
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Hi, my name is Salvador, and I’ve been a music producer for over 12 years, specializing in reggaeton and urban genres. During this time, I’ve had the privilege of working with some of the biggest names in the industry, including J Balvin. My experience spans across producing, mixing, and mastering, ensuring that every track I work on is polished.

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