Mixing & Mastering Engineers, Producers & Songwriters who worked with the eels

Greg Collins is a record producer, mixer, and recording engineer, best known for his work with No Doubt, Gwen Stefani, U2, Eels, Matchbox Twenty, and KISS.

Unique Analog/Digital Hybrid Mix 30+ years Experience and thousands of songs recorded, I am easy going and can build a sonic experience for the world to enjoy

14+ years of music production experience. I offer full tracks and solid mixing service to get your tracks to a high professional level. I produce different musical genre like pop, rap, big Room, chill music. In 2018, I won the Talent pool # 12 competition organized by the Soonvibes label, with the title "Carabins".

Have successfully recorded four singles. Am versatile, I can write to match any artist voice.

I grew up tending a poultry farm on the arctic plains of Minnesota. Fortunately, when your only friends are grass fed broilers you get really attached to your hobbies. Mine was music.

Hello there! I am a recording artist, session vocalist and topline writer based in BOS/NYC. I am versatile in my tone and range to provide anything from power-vocals and soul-pop (Christina Aguilera/Demi Lovato/Jessie J) to indie-pop (Lana Del Rey/ Fleurie). My range in genres include pop, r&b/soul, gospel, Musical Theatre, rock/pop.

I've played tabla for 20 years. I'm also a profession drummer who has toured with country artist Billy Joe Shaver 12 years and have played with singer-songwriters Alexi Murdoch and Matt Nathanson. I've also studied audio-engineering at Austin Community College and have a professional studio set-up in my home for good quality recordings.

I have written, recorded and produced more than 60 tracks of different genres for my personal projects and produced, mixed and mastered for the most creative emerging artists of Mexico City. My experience, commitment and passion for music drives me to deliver the best possible results on every single project.

You've worked hard on your mix... the kick, snare, vocal and bass are sitting where they should. Everything vibes but it needs to be elevated to commercial levels while retaining depth, punch, space and clarity. My goal is to elevate your mix to satisfy your vision. Mastering shouldn't redefine your work, it should actualize it.

I’ve written for different projects over the years - from blues/rock to folk and everything in between. But I keep coming back to pop music because at the end of the day, I’ve known forever that I’m completely addicted to the complex simplicities of the pop writing process. Now, I want to work with others to help them with their vision.