Mixing & Mastering Engineers, Producers & Songwriters who worked with Tom Srvo

 - RoboCLIP

I work on original production including experimental ambient break beats, EDM and film scores. I also do dialog mixing and sound design.

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Producer, SongWriter, Guitar - Tomas Frankson
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Yoo, I am a Producer, Song-Writer, Guitarist & Vocalist from London, United Kingdom. My speciality is working with Singer-Songwriters helping them to expand their ideas into full radio-ready productions. My productions have consistently been featured on Spotify Editorial and BBC Radio, earning me 750,000 streams in the last 18 months alone.

Music Producer, Musician - Rhodiana
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Find me as Rhodiana on spotify.

Gospel/R&B Vocal Prod/Arr./BGV - Sam Roberts
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Writer of Charles Butler & Trinity’s “Make It”

 - Heiner Kruse

My music is about ideas and emotions. "The Green Man (TGM)" is my alias, inspired by an ancient figure reminding you not to forget your inner voice (and music by Shut Up & Dance). I love to make music for and with pictures. My music was used for by Arte, BBC, CSI Miami and filmmaker Jan Bonny. As Heiner Kruse I write books, explore tools and teach.

Mixing Engineer - Mixed by Meissner
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The Mix. This is one of the, if not the most pivotal stage of a song coming to life and we are certainly aware of our responsibility, merely to enhance the artists vision, which is why we believe communication beforehand is paramount, in order to help the music blossom.

Songwriter, Producer, Engineer - Tyler Jay
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Film Composer | Music Producer - Juan Peralta
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Juan Peralta is a media composer, producer, and multi-instrumentalist based in Napa, California. His work can be heard in the feature film "Quiero tu Vida", executive produced by the Academy-award nominee Salma Hayek, besides of commercial works for clients like Coca Cola, Aeromexico, and Boar's Head.

Bringing sound to life - Kristian Leo

Producing at the intersection where sound and the body meet. I specialize in mixing, mastering and production that prioritizes physical translation — how music lands in the body, not just on meters. My approach focuses on: controlled saturation and harmonic density dynamic movement that breathes low-end and midrange balance that creates ground

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