Mixing & Mastering Engineers, Producers & Songwriters who worked with Vivid Knight

Anime & Game Music Composer - Ryo Hizumi
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Composer and vocalist behind the Gintama ending theme "SIGNAL" and the BLEACH opening theme "CHU-BURA" — discovered by Yoshiki of X JAPAN, with major-label releases on Universal Music and SME Records. Today I write music for hit mobile games (both #1 on iTunes Japan's soundtrack chart) and work as a Vocaloid producer.

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Creatively Mixing & Mastering - soundsgod
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50+ million streams, verified engineear, 20 years of experience

I dance, bdy build sauvant - peggy sue neumeyer/balcony /ba

Self taught multi tone pitch range, lived with Eric Clapton, and Bono was my LOVE.very creative Almost Famous Jim Morrison.elvis Costello. was in a movie with Frank Stallone will relocate to closer acclamen. Need a sponsor that will give creative freedom and a label that is independent.I need generous funding and transportation with housing

Recording, Mixing & Mastering - LYFESTYLE STUDIO
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YOUR VISION I YOUR SOUND I YOUR LYFESTYLE Recording, Mixing und Mastering

Mixing & Mastering Engineer - Diogo Nabais

Audio Engineer specialised in Pop, R&B, Rock and Hip-Hop, available to help bring your songs to the next level.

Remote Mixing for Metal/Rock - Nic Lindstrom
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I am a mixing engineer out of Idaho with 9+ years of professional experience working primarily on metal and rock music.

sound artist-music producer  - nazz

Palestinian hard dance sound artist\producer I make music in all hard dance genres from; hypnotic\hardgroove to techno hard techno reverse bass etc... to keep it short and clean, I make bangers daily and in a very low price so if you want help to mix master or ghost produce hit me up

Musico y Productor Musical - Hector Gamez Jr
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Soy un musico Venezolano, cantante y compositor luchando por un mejor futuro, hago muy buena producciones y composiciones, estamos a la orden

Mixing Engineer - Justin Douglas
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Experienced mixing engineer specialising in Hip-Hop, R&B and Pop. I mix for the song, not a formula — listening first, then shaping the balance, impact and emotion around what makes the record work.

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